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The Rite to Yemaya- Some Thoughts on Appropriation

Last updated on: July 7, 2022 at 4:25 pm   by Lilith Dorsey

The Rite to Yemaya- Some Thoughts on Appropriation 2022-07-07T16:25:26-05:00 Lilith Dorsey

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Yemaya offering photo by Lilith Dorsey. All rights reserved.

Yemaya offering photo by Lilith Dorsey. All rights reserved.

“So the Orisha are giving product endorsements now?”

 

This was the response of a dear friend, who also happens to be a Babalawo, when I told him about the Yemaya psychedelic music festival in Australia. People are up in arms about the festival, which will take place this year on May 1-3 2015. The event has nothing to do with the  Orisha religion , or even African Traditional Religion in any way. The mission statement on the home page reads as follows:

 

“We invite you on this journey with us to explore the depths of her unknown waters… from the wonders of the day to the playful mysteries of the night we welcome you to submerge yourself within the underwater world we have created for your pleasure. Through a plethora of aural and visual delights we hope you can find your light amongst like-minded souls who wish to have a nurturing space in which to explore, create, connect, and dance. “ – Yemaya Festival

 

Yemaya photo by Neftali courtesy of Shutterstock.

Yemaya photo by Neftali courtesy of Shutterstock.

This is problematic for many reasons, consider the phrase “explore the depths…. ” What exactly are they hoping to find, these Australians at play in the fields of the Goddess. Unfortunately, cultural appropriation is nothing new. This isn’t even the first year for this festival. People like to take what isn’t theirs, and names are just the beginning. I’m not sure if most appropriation happens out of ignorance, or as an act of calculated cultural rape, but the end result is the same. Meaning and memory are twisted and distorted and the world is left with a little bit less. There are Yemaya stamps, Oshun cosmetic companies, restaurants, and more.

I guess some people are wondering what is the problem. The problems center around the fact that these are ancient Orisha (similar to goddesses,) embodying the primal forces of the Universe. Their very names are an invocation and an invitation, and people clearly don’t know what they are getting into. It makes me sad because the doors to these ancient traditions are open wider than they have ever been before. I have dedicated my life and work to making accurate information about these forces more available, and yet most of the time what I see is ignorant disrespect. There isn’t anything inherently wrong with a psychedelic music fest, personally I’m an old Deadhead and still miss the days of spinners and Jerry, but both Yemaya and the traditions she graces have nothing to do with  psychedelics. I don’t know if there is an easy solution to appropriation like this, people will keep taking, and hopefully people will keep learning too… I’d really love to hear what you think. Who does have the rite or the right to Yemaya? Please share this post on social media and leave me your thoughts in the comments section below.

 

 

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About Lilith Dorsey

Lilith Dorsey M.A., hails from many magickal traditions, including Afro-Caribbean, Celtic, and Indigenous American spirituality. Their traditional education focused on Plant Science, Anthropology, and Film at the University of R.I, New York University, and the University of London, and their magickal training includes numerous initiations in Santeria also known as Lucumi, Haitian Vodoun, and New Orleans Voodoo. Lilith Dorsey is also a Voodoo Priestess and in that capacity has been doing successful magick since 1991 for patrons, is editor/publisher of Oshun-African Magickal Quarterly, filmmaker of the experimental documentary Bodies of Water :Voodoo Identity and Tranceformation,’ and choreographer/performer for jazz legend Dr. John’s “Night Tripper” Voodoo Show. They have long been committed to providing accurate and respectful information about the African Traditional Religions and are proud to be a published Black author of such titles as Voodoo and African Traditional Religion, 55 Ways to Connect to Goddess, The African-American Ritual Cookbook, Love Magic, the bestselling Orishas, Goddesses and Voodoo Queens and the award winning Water Magic. You can read more about the author here.

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