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The Voodoo Truth About Papa Legba

The Voodoo Truth About Papa Legba

Last updated on: April 9, 2018 at 9:20 am by Lilith Dorsey

The Voodoo Truth About Papa Legba 2018-04-09T09:20:16-05:00 Lilith Dorsey

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“We used to know we were stronger than the devil”- Amiri Baraka

We used to know we weren’t the devil either. I woke this morning with this quote from poet Amiri Baraka on my mind. The award winning poet, playwright, and visionary passed over into the realm of the ancestors Thursday January 9th. I remember seeing him (as much as a 4 year old can remember anything) at an interactive play he staged about the Underground Railroad. He was controversial and sometimes confrontational like Voodoo’s gatekeeper Papa Legba. Legba has received a lot of attention of late, because of his truly outrageous depiction on the popular television show American Horror Story: Coven. It’s ironic that the show took so many episodes to introduce this iconic character because in the religion of Voodoo, Papa Legba always comes first.

Not a Cocaine Snorting Devil

The portrayal of Papa Legba in this week’s episode of American Horror Story: Coven left a bad taste in a lot of people’s mouths, or should I say, up their noses. May I state now unequivocally as both an anthropologist and a Voodoo priestess that there is no association between Legba and drugs that I have ever come across in my over twenty years of practice and study. This week’s episode, in addition to having this ancient honored deity disrespectfully portrayed as a drug sniffing control freak, also shows him as a baby stealing, soul sucking devil. I wrote a few weeks ago that I predicted bad things for the introduction of this character, but this is beyond everyone’s lowest expectations. The buzz I have been seeing online is that people are done, that this is beyond offensive. It’s also just plain wrong. The show, in addition to falsely equating Legba with the Devil, seems to have collapsed his character with that of the Voodoo Lwa Baron Samedi, traditionally depicted with a Top Hat and images of the dead, as he is the ruler of the cemetery. The reality is that Legba is the wise teacher, the communicator between the worlds. I like to call him the gentle guiding paternal influence we all wish we had.

Haiti’s Gatekeeper

Legba by Bart Everson licensed under CC 2.0

In Haitian Vodou the Lwa Legba is the gatekeeper: he is petitioned to open the way to the other realms. Leah Gordon’s beautiful work The Book of Vodou talks in detail about this keeper of the crossroads. He is the “powerful spirit of communication between all spheres of life and death. The cross is his symbol, because it is at the apex of this cross that heaven and earth intersect.”

Crescent City’s Papa Lebas

In my book Voodoo and Afro-Caribbean Paganism, I talk about the unique manifestation of Legba in New Orleans. Papa Lebas or Lebat “receives his name from the missionary Father Jean Baptiste Lebat. In the late Seventeenth and early Eighteenth century Lebat was responsible for trying to eradicate Voodoo from the area. In typical Voodoo fashion he is given the responsibility for the opposite function he performed in the physical world.” People would pray before the start of their services to Papa Lebat to allow the ritual to take place without intervention of the authorities. This fusion or Louisiana Gumbo of traditions is a common practice in the area.

Sacred Attributes

Colors: Red and Black

Sacred Place: Crossroads, Doorways

Ritual Numbers: 3 or sometimes 21 (which is similar to Eleggua in Santeria/Lucumi)

Offerings: Coffee, Rum, Cigars, Keys, Cane

Images: Crossroads veve, Catholic images of St. Anthony, St. Peter

You can hear a truly moving version of the Legba Chant by Boukman Eksperyans here.

Entertainment

Vodou

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American Horror Story

About Lilith Dorsey

Lilith Dorsey M.A. , hails from many magickal traditions, including Celtic, Afro-Caribbean, and Native American spirituality. Her traditional education focused on Plant Science, Anthropology, and Film at the University of R.I, New York University and the University of London, and her magickal training includes numerous initiations in Santeria also known as Lucumi, Haitian Vodoun, and New Orleans Voodoo.Lilith Dorsey is a Voodoo Priestess and in that capacity has been doing successful magick since 1991 for patrons, is editor/publisher of Oshun-African Magickal Quarterly, filmmaker of the experimental documentary Bodies of Water :Voodoo Identity and Tranceformation,’ choreographer/performer for jazz legend Dr. John’s “Night Tripper” Voodoo Show, and author of Voodoo and Afro-Caribbean Paganism, 55 Ways to Connect to Goddess, The African-American Ritual Cookbook, and Love Magic. You can read more about the author here.

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