The Biblical Imagination

Last updated on: March 1, 2011 at 5:20 pm by maichaelcard

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The Biblical Imagination 2011-03-01T17:20:13-07:00 maichaelcard

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Back to the first question… When we “imagine,” what is it we are doing? I don’t pretend to fully understand the mystery of the human heart, but I believe it is safe to say that when we “imagine” something is taking place in our hearts, literally our minds are working with our hearts to create images (hence *image-*nation). But the heart and mind must work in concert, they must be connected by a bridge. In my thinking, this is what I call the imagination. It is a bridge between the heart and mind. It seeks to re-integrate and reconnect them, since they were fragmented by the Fall. The imagination that has been surrendered to God for this process of listening to the Scriptures, I call the “biblical imagination.”

(Before we move on to the next point, you might want to stop and think about what’s been said thus far. Take time to turn it over in your own heart, to go back to the biblical references above to confirm this notion of the surrendered heart and the biblical imagination.”)

Finally, let’s discuss what is meant by the word “informed.” In this series we speak of “engaging with Scripture at the level of the informed imagination.” This was the approach of my friend and mentor, the late William Lane. It is an approach that shaped everything he did, from the writing of two major commentaries to the way he lived out his daily extraordinary life.

I opened with a cozy scene of Jesus calling his disciples from Mark 1:17. I began by painting the scene, that is, by imagining it as you and I have probably done many times before. It is an attractive picture but not necessarily a biblical one. You see, it was imagined by an uninformed imagination. Let’s retell the same scene from a more biblically informed perspective.

Jesus has recently returned from his ordeal in the wilderness, where only Mark tells us, he was “with the wild beasts.” Perhaps there is still some reflection of this intense period of temptation on his face. Secondly, he has just discovered that his cousin, John, has been thrown into prison by the bloodthirsty Herod. It doesn’t require Jesus’ prophetic imagination to see that John’s life will not last much longer. We will see in Mark an ever-present shadow of the prospect of persecution. That shadow looms large over this opening scene. It is not cozy, it is ominous.

Finally there is the business of Jesus creative appeal to the tired fisherman; that he will make them “fishers of men.” Once you spend some time with the Jesus of the Gospels, you will quickly learn that almost everything he said is rooted in the Old Testament. He breathes the Torah. This opening appeal is no different.

It is rooted in the book of Jeremiah, the weeping prophet. (I have wondered if the people mistook Jesus for Jeremiah because he was so open with his tears. see Mt 16:14) The passage in Jeremiah is the prelude to a song about the day of disaster, God says in 16:16

“but now I will send for many fishermen,” declares

the Lord, “and they will catch them…”

The passage has to do with judgment and destruction. This is the background to the passage in the first chapter of Mark. It is not a cozy scene but one over-shadowed with the serious prospect of the mission to which the disciples will soon be called. Jesus’ words are neither warm nor inviting. They are ominous and powerful. The task of fishing for men and women is deadly serious business. Once we have done our homework we return to the passage with an informed imagination. Only then does it come to life. (Even the image of the sand between the disciple’s toes was wrong. The shore of Galilee is extremely rocky. Neither would it have been a silent moment, as was said earlier. Galilee is the major flyway between Africa and Europe. The sound of birds is always present!)

I agree with those who would be cautious of using the word “imagination,” for with an uninformed imagination Jesus is merely a figment of the imagination. But when the imagination is surrendered along with the heart and mind, it becomes a unifying bridge that opens the Scriptures in a new and meaningful way.

Michael Card is an award-winning musician, writer, and performing artist who is perhaps best known and most appreciated for the meticulous biblical study that supports the themes and lyrics of his creative compositions. His newest book, Luke: The Gospel of Amazement, is the first in his new Biblical Imagination Series.

Read an excerpt from Luke: The Gospel of Amazment here.

Return to the Patheos Book Club for more conversation on cultivating a holy imagination, as well as additional resources on Michael Card’s new book Luke: The Gospel of Amazement.

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