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October 2012

October 11, 2012

The Slavery of Spite

Review of Rebecca, directed by Alfred Hitchcock By PAUL D. MILLER Rebecca (1940) is a...

October 10, 2012

Food Dreams

Review of Jiro Dreams of Sushi, Directed by David Gelb By KENDRICK KUO I love...

October 09, 2012

Angels Among Us?

Review of Ghost Brother Angel by Grant Schnarr By COYLE NEAL Ghost Brother Angel by...

October 05, 2012

That’ll Be the Day

Review of The Searchers, Directed by John Ford By PAUL D. MILLER The Searchers (1956)...

October 04, 2012

The Call of Cthulhu

Review of The Call of Cthulhu, Directed by Andrew Leman By ALEXIS NEAL Ph'nglui mglw'nafh...

October 03, 2012

City at the End of Time

Review of City at the End of Time by Greg Bear By COYLE NEAL  “For...

October 02, 2012

Longing for the Promised Land

Review of The Syrian Bride, Directed by Eran Riklis By KENDRICK KUO Not a terribly...

October 01, 2012

What Lincoln Can Teach the Tea Party

Review of The Fiery Trial: Abraham Lincoln and American Slavery by Eric Foner By PAUL D. MILLER...

September 2012

September 28, 2012

Looper, another view

Review of Looper, Directed by Rian Johnson By COYLE NEAL If you’ve seen Timecop, The...

September 28, 2012

Looper

Review of Looper, Directed by Rian Johnson By ALEXIS NEAL It’s 2042, thirty years before...

September 27, 2012

Terminator 2

Review of Terminator 2: Judgment Day, Directed by James Cameron By ALEXIS NEAL  It is...

September 26, 2012

Real Marriage

Review of Real Marriage by Mark and Grace Driscoll By COYLE NEAL First, the basics:...

September 25, 2012

Vocational Stewardship for Fashionable Christians

A Review of Kingdom Calling:  Vocational Stewardship for the Common Good by Amy Sherman Reviewed by...

September 24, 2012

True Grit, Old School

Review of True Grit by Charles Portis By ALEXIS NEAL Mattie Ross is no ordinary...

September 21, 2012

The Cause versus The Way

Review of The Master, Directed by Paul Thomas Anderson By KENDRICK KUO Paul Thomas Anderson...

September 20, 2012

Madam Bovary

Review of Madam Bovary by Gustave Flaubert By PAUL D. MILLER [Spoilers] Emma Bovary is an idiotic,...

September 19, 2012

The Sacred Science

Review of The Sacred Science, Directed by Nicholas Polizzi By COYLE NEAL Nicholas Polizzi’s The...

September 18, 2012

Searching for Sugar Man: An Artist’s Resurrection and Rebirth

Review of Searching for Sugar Man, directed by Malik Bendjelloul By CHRISTIAN HAMAKER This September,...

September 17, 2012

Tokyo Loneliness

Review of Tokyo Story, Directed by Yasujiro Ozu By PAUL D. MILLER Roger Ebert recently updated...

September 14, 2012

Riders of the Purple Sage

Review of Riders of the Purple Sage by Zane Grey By ALEXIS NEAL Young, beautiful Jane Withersteen...

September 13, 2012

Hereafter Without Christianity

Review of Hereafter, Directed by Clint Eastwood Review by KENDRICK KUO The very name and...

September 12, 2012

Hondo

Review of Hondo, Directed by Louis L'Amour By COYLE NEAL As I’ve mentioned in an earlier...

September 11, 2012

Justice and Terror

Review of Munich, Directed by Steven Spielberg By PAUL D. MILLER Munich (2005) is a sad...

September 10, 2012

Free of Charge

Review of Free of Charge: Giving and Forgiving in a Culture Stripped of Grace by...

September 07, 2012

Celebrating Beauty Over Truth

 Review of Mao's Last Dancer, Directed by Bruce Beresford By KENDRICK KUO I’ve become the...

September 06, 2012

When Religion Goes Bad, Turn to Paul

Review of Bad Religion by Ross Douthat By CHRISTIAN HAMAKER Yes, that’s the Apostle Paul...

September 05, 2012

Tehanu

Review of Tehanu by Ursula Le Guin By COYLE NEAL I think that Ursula Le...

September 04, 2012

The Philosophy of Murder

Review of Crime and Punishment by Fyodor Dostoevsky By PAUL D. MILLER Crime and Punishment...

September 03, 2012

Night Watch

Review of Night Watch by Sergei Lukyanenko By ALEXIS NEAL Years before emotionally stunted vampires...

August 2012

August 31, 2012

The Age of Innocence

Review of The Age of Innocence by Edith Wharton By PAUL D. MILLER Why does...

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