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Transgressive Women in Speculative Fiction #CFP

Transgressive Women in Speculative Fiction #CFP

Last updated on: November 17, 2019 at 5:21 am by James F. McGrath

Transgressive Women in Speculative Fiction #CFP 2019-11-15T13:24:51-05:00 James F. McGrath

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The editors are currently soliciting abstract submissions for an edited volume focusing on Transgressive Women in Speculative Fiction.

The interconnection of speculative fiction, transgressions against social norms, gender studies, and global perspectives is compelling because speculative fiction allows for a unique approach to social critiques. The worlds that are created in science fiction, fantasy, horror, and dystopian futures allow the genre to explore new or imaginative societies, detached from existing or historical social structures. Such an environment of speculation has led many authors to utilize the genre to comment on women’s concerns. Many of these works have, understandably been extensively critically examined.

Exploring the conversation further, the editors solicit critical approaches for our anthology that examine female characters in contemporary writers of speculative fiction, film, or digital media who are underrepresented in present scholarship, emphasizing the global reach of speculative fiction. We specifically request essays that examine female characters who operate outside social norms (either real world norms or those of their created cultures) and whose transgressive behavior is transformative and critically interesting. We are NOT accepting critical explorations of well-known authors or film makers who have already been the focus of significant critical work.

Facets of transgression may include gender performance and breaking bounds of gender normativity; issues regarding motherhood, reproduction, and other-mothers; enacted or experienced violence; non-heteronormative, non-monogamous sexuality; the questioning or embracing of religion; and any behavior which breaks, bends, or questions other social paradigms.

Our intent is that this anthology will contribute to an understanding of global uses of speculative fiction as a prism for examining the intersectionalities and problematization of race, class, ethnicity, gender, and sexuality, concentrating on characters who engage women’s concern and female-identified characters including transgender women, androgynes, queered, or transgressive gender.

The anthology will be divided into overarching themes of gender performance and sexuality; violence and peace; identity formation and othering; and mothering, reproduction, and other-mothering. Of particular interest are genres such as anime, manga, horror, and steampunk. Works by newer authors are highly encouraged. While essays that engage these topics are solicited, other considerations of transgressive female characters in speculative fiction are welcome, as are email inquiries to the editors.

We are especially interested in global perspectives, global representations of authors, including Hiromi Goto, Marcela Sola, Irmtraud Morgner, Vandana Singh, Nalo Hopkinson, Zoran Drvenkar, Rinsai Rossetti, Karen Lord, Malinda Lo, Serenity Alyanna Edward, Nnedi Okorafor, and Alex Garland], as well as subgenres such as anime (including ONA such as RWBY), manga, horror, steampunk, and slipstream.

We are particularly interested in submissions that deal with (1) the preceding list, (2) interplays between print and media adaptations of a work, and (3) the following topics:

Battlestar Galactica (either version)

Contemporary comics

Divergent series

Farscape

Firefly

Futurama

A Girl Walks Home Alone at Night

German Expressionism (films)

Golden age of sci fi

Golden age of comics

Good Omens

Killjoys

Mad Max (all films, including Fury Road)

The Man in the High Castle (book or TV series)

Speculative fiction in film from the 1950s-1970s

Star Trek

Terminator franchise

V (1983 miniseries, 1984 miniseries, 2009 reboot)

Video games

Wynonna Earp

In no way should this be considered an exhaustive list. Particularly engaging ideas about underrepresented creators in fiction, film, and all digital media from any locale are encouraged.

Abstracts should be no longer than 350 words and accompanied by a current CV. Preference will be given to abstracts received by November 25, 2019. Authors will be notified by December 15, 2019, about the status of their proposals. If your abstract is accepted, final manuscripts of 6,000-8,000 words should be submitted in MLA style by May 1, 2020.

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