Buddhist Catholic Contemplative Evangelical General Christian Hindu Jewish Latter-day Saint Muslim New Visions Progressive Christian

Beliefs

Topics

Columnists

Resource Library

Research Tools

Video

Podcasts

Thought Readers

Faith In Media Tracker

Newsletters

Ad-Free & Subscriber Log-In Subscription Support

Follow Patheos

Pursued by Truth

Home
Catholic
Sr. Helena Burns Reviews: Jem and the Holograms

Sr. Helena Burns Reviews: Jem and the Holograms

Last updated on: November 1, 2015 at 7:30 am by Guest Contributor

Sr. Helena Burns Reviews: Jem and the Holograms 2015-10-31T14:47:34-04:00 Guest Contributor

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

By Sr. Helena Burns, FSP

“Jem and the Holograms” is a live-action tween movie based on the animated TV series of the same name that aired from 1985-1988. Although I have been informed by some fans of the TV series that the film is not cleaving exactly to the TV version, it is nonetheless a delightful, “family-oriented” film that is innocent and fun, and skillfully avoids all kinds of pitfalls that a flick of this nature might have fallen into headlong.

I was all prepared to say that in many ways “Jem” is the anti-“Pitch Perfect” movie (something I would relish), but then I checked the lyrics to the songs used in the film and in the complete soundtrack. Please read on because there is a major, major CAVEAT with this film.

What pitfalls does the film avoid? It is not cutsie. There is no Valley Girl talk or vocal fry. The teen girls are not stereotypes of today’s radical feminist agendas, and neither are they Barbies. They seem like (albeit extremely well-groomed) regular gals. One is a little tougher than the others (she’s a hacker and has spent time in juvie). The film does not drown us in song after song after song. In fact, the musical numbers are well-placed and are mostly power pop, with one initial soft ballad.

CAVEAT

Most, most unfortunately, the lyrics to some of the songs are very, very risque and beyond inappropriate for tweens or teens or anyone (although the visuals in the movie do not match at all–the songs are not acted out in any way). It may be a bit difficult to hear all the lyrics as they’re being belted out in the film, but of course young people don’t have this problem. This is a huge, huge drawback to the film. Check out especially the words to “Mi mi mi” which is used at least partially in the film (I don’t remember hearing any of the most objectionable words from this song in the film, but still).

Other songs used in the film: “Youngblood,” “Alone Together,” “I’m Still Here.” If songs with objectionable lyrics (very objectionable) were not included in the film or on the soundtrack? There would be no problem here. But there is a problem. A big one. Why should we wonder why our young people engage in bacchanal-type sex on college campuses when they’ve heard this stuff from their tenderest years in “PG” movies? Sigh. I’m sad to say this film was too good to be true. Very sad to say. Unless you are willing to have a serious discussion with your young people about the lyrics to ALL the songs on the soundtrack, I’d say this is a “no” film. But why NOT have that discussion? Ask your young people what they think of these lyrics. Take this opportunity to do some Media Literacy and Theology of the Body with them. There are many, many good things about this film, but they are totally undermined and undone–perhaps even destroyed–by the lyrics to some (not all) of the songs featured in the film and on the soundtrack.

FAMILY VS. FAME

Jerrica Benton (Aubrey Peeples) whose stage name is “Jem,” becomes an instant, viral internet sensation when she dons a crazy pink wig and sings a sensitive ditty into her webcam. Her three sisters (one blood sister and two cousins, all being raised by their aunt–but they all consider themselves true sisters) are her band. A star-making music company (appropriately called “Starlight”) comes calling in the person of Erica (the inimitable Juliette Lewis, digging her fangs into every scene and stealing it). Lewis could really make a new career out of playing luscious modern-day villainesses.

After seeing the trailer, I thought the film might be a good exploration of what “fame” means today, and it is, but it’s even more focused on family. Jem and her sisters are all about family, about being a family. And they’re all about their music. The “famous” thing for them is a just a great way to spread the love, and get some badly-needed cash so they don’t lose their house. (Molly Ringwald, as the devoted aunt, has one of the best lines in the movie–aimed at Erica–that pretty much sums up the whole fame thing).

Jem lost her Dad when she was young. He encouraged her in her musical abilities and gave her words of wisdom to live by. He was also working on an invention before he died: an adorkable little robot named “Synergy” who gets mysteriously activated at the same Jem’s career takes off. Synergy is the most fantastical part of the film, which otherwise might pass as a non-sci-fi film.

Jem’s relationship with her Dad is really the heart of the story. He is the unseen guiding light. There is a mild romance between Jem and Rio (Ryan Guzman), Erica’s son, which culminates in a kiss at the end.

CLEVER SOUNDTRACK

The entire feel of the film is that of an after-school special. It’s not a “big” film, and it’s pretty low on hype. The girls remain incredibly grounded through their whole experience, even through their one big crisis and band breakup–which alone can speak volumes to a starry-eyed, “everyone-is-having-their-15-minutes-of-fame-now-in-our-digital-world” world. Jem video-narrates to us, the audience, the entire saga of her rise to fame. She and her sisters critique and are highly aware of the ersatz nature of “social media”–even as they use it. It’s great social commentary.

The clever, thoughtful backbone of the soundtrack is actual uploaded-to-the-internet amateur musician videos (often just doing rhythms and beats). How do we know they’re videos? Because we see them briefly, intercut with our characters’ story. There are also lots of fake “Jem and the Holograms” fan vids throughout the story that feel very authentic.

Stay for the credits or you’ll miss the lengthy zinger leading directly into a sequel where rival band “The Misfits” will thicken the stew.

Sr. Helena Raphael Burns, FSP was going to be an ornithologist, but God zapped her and now she belongs to the Daughters of St. Paul, www.pauline.org. She gives workshops to teens and adults on Media Literacy, Philosophy, and Theology of the Body. She is finishing an M.A. in Media Literacy Education; has a B.A. in philosophy and theology from St. John’s U, NYC; and has a Certificate in Pastoral Youth Ministry from the Center for Youth Ministry Development. Sr. Helena studied screenwriting at UCLA and Act One, Hollywood. She is the writer/producer of www.MediaApostle.com and a co-producer onwww.The40Film.com. She tweets at @SrHelenaBurns and blogs at Hell Burns.

Helena Raphael Burns FSP

Jem and the Holograms

Previous Post

October 31, 2015

Novena for the Media: Day 1

Next Post

November 1, 2015 Novena for the Media: Day 2

Browse Our Archives

Select a Category Advent Art Atheism Book Reviews Christmas Church Issues Discernment Easter Ecumenism Entertainment Environment Eucharist Evangelization Family Freebies Guest Post Holy Spirit Inspire Me Interreligious Dialogue Jesus Lectio Divina Lent Life Issues Liturgical Season Mary Media MISC Movie Reviews Pauline Pope Francis Prayer Prayer Intention Religious Life Saints Sanctity Scripture Social Justice Social Teaching St. Paul Theology of the Body Uncategorized US News Vocations World News Writing Year of Mercy

Select a Month September 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010

TAKE THE

Religious Wisdom Quiz

According to Isaiah 53, how would the Messiah be treated by people?

Select your answer to see how you score.

Worshiped and adored Ignored and forgotten Feared and honored Despised and rejected