Libyan Women: Demure and Prudish

Last updated on: July 1, 2008 at 12:00 am by Guest Contributor

Libyan Women: Demure and Prudish 2008-07-01T00:00:00-04:00 Guest Contributor

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This was written by Tasnim and originally appeared at epiphanies.

A while ago, the assistant editor of Destiny, a South African women’s magazine, emailed me asking for help in finding information on successful Libyan women online. Unsurprisingly she had found very little, since what information there is about Libyan women does not fit the criteria of ‘successful’. While women like Ibtisam Ben Amer, who recently ranked 28 on Forbes‘ list of most powerful Arab businesswomen, would by most standards be termed successful, the typical Libyan woman is more often represented with the usual connotations of backwardness and oppression attached, as in this picture from a Swiss magazine, which depicts a woman wearing a “traditional” farashiya.

As Berger has said, photographs are always much more than mechanical records, they bear witness to a unique choice being made. This one is no exception. The woman walking towards the camera hides most of her face and looks apprehensive, almost escaping what is behind her, cut off from the crowd by the bar of a shadow. The angle of the shot imposes as much mystery and menace as possible. Obviously, no photo would be complete without a reminder that this is a Third World country, although ironically, a few pages back the magazine had recommended Libya as a tourist destination precisely for being free of pestering street traders and beggars “so prevalent in many other North African countries.” Elsewhere the reader is reassured that “children in Tripoli are as healthy and happy as anywhere else.”

But it seems the temptation to cement the view of Libya as a mysterious/dangerous land is irresistible, something which is underscored by the frequent references in the magazine to a “journey into the unknown.” Libya’s attraction factor, it seems, is precisely the lack of information about it, and in a rather colonial trope of feminizing territory, this mystery appears to be metonymically represented in the figure of the woman.

Of course, this photo and what is conveyed through it necessitates ignoring the fact that women wearing the farashiya are not exactly prevalent in today’s Libya, the caption presenting the emblematic clothing and the attitude it supposedly represents as the reality of all Libyan women, as a statement, a fact. “Libyan woman are demure and prudish.” The picture supplies the proof for an already preconceived essentialist notion of what Libyan women are, and then attaches a tip for tourists: “intense eye contact is not advisable.”

In marked contrast, this picture shows a group of women in a more widespread form of hijab, yet in juxtaposition with the caption “Women power at the Swiss office in Tripoli”, the implication is clear: this is women power as “western imitation”, accessible to usually prudish and demure Libyan women because they are lucky enough to work in a Swiss office.

The same mentality informs a BBC article by Rana Jawad, which claims that “women’s lib is taking off in Libya” and cites various examples yet ends by informing the readers that regrettably, “society’s perceptions of more traditional roles for women prevail” and that “the abiding image in Libya is still of women who rarely mix with men in public and still cover themselves up with a veil”, the double ‘still’ underscoring the severe developmental problems crippling Libyan women in their slow, gradual evolution towards liberation.

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