Catholics in the Movies: Pedro de Cordoba (1881-1950)

Last updated on: November 6, 2014 at 5:02 am by Pat McNamara

Catholics in the Movies: Pedro de Cordoba (1881-1950) 2014-11-06T05:02:55-07:00 Pat McNamara

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Born in New York City to a French mother and a Cuban father, Pedro de Cordoba was a solidly reliable character actor in American films from the silent through the sound era. Between 1915 and 1951, he appeared in some 125 movies. The Internet Movie Database (IMDB) says of him: “A tall, somewhat frail-looking man, he often played wealthy, aristocratic Latins, usually (but not always) kind-hearted and benevolent.” Some of his more noteworthy appearances include two Errol Flynn movies: Captain Blood (1935) and The Sea Hawk (1940). In Wikipedia we read the following:

He was a classically trained theatre actor who confessed he did not enjoy appearing in silent films nearly as much as he liked working on stage, but his career during the silent film era was extensive. His first film was Cecil B. DeMille’s version of Carmen (1915), and he soon became a popular leading man in Hollywood. His Broadway career cast him with such stage actresses as Jane Cowl and Katharine Cornell.

Later, his deeply resonant speaking voice made him perfectly suited to talking pictures, and his film career continued, unlike many silent film stars. He enjoyed a career as a busy character actor in Hollywood, from the 1930s through to the end of his life. He was most often cast as aristocratic, or clerical characters of Hispanic origin… because of his last name as well as his royal bearing. On rare occasions, he would be cast in the role of a villain. His “living skeleton” sideshow character hides fugitive Robert Cummings (and Priscilla Lane) in his carnival wagon overnight in the Alfred Hitchcock film Saboteur (1942).

He was a devout Catholic and was very well read and knowledgeable about the Catholic faith, and served for a time as president of the Catholic Actors Guild of America. The last film in which he appeared, a political drama set in an unnamed South American dictatorship, Crisis (1950), was released shortly after his death.

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