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Poetry Monday: Worship

Poetry Monday: Worship

Last updated on: November 3, 2014 at 11:17 am by Posted by The Editors

Poetry Monday: Worship 2014-11-03T11:17:05-07:00 Posted by The Editors

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Worship

To kiss is to make ablution,

cleansing the naked heart

and preparing the shivering soul

The hands when they rise

and fall, moving over waist

and hips, push away doubt

To open the thighs in love

is the first prayer on the eve

of the holiest night

of a thousand months

Finally, the cry comes

that affirms faith,

bears witness, testifies

to the truth and its messenger

In the clasping of the bent head

to the neck and the breast,

in the pillowing of slackened

belly upon belly

is peace, peace,

until the rising of the dawn

~ From Mohja Kahf’s unpublished love poetry manuscript written in 1999.

—

Photo by Russell Cothran, courtesy of University of Arkansas Public Relations Office.

Mohja Kahf, born in Damascus in 1967, is a Syrian-American poet and novelist. Her own conception of Islamic feminism influences the themes of her poetry and writing as do other issues facing American Muslims. Her first collection of poetry, E-mails from Scheherazad, evokes the mixture of pride and shame involved in being an “other,” with characters balancing on the line between assimilating and maintaining the habits of a good Muslim. She explores both important historical female figures in Islam as well as contemporary Muslim women. Historical figures prominent in Mohja’s poetry include Hagar, the wife of the prophet Abraham, Khadija and Aisha, wives of the Prophet Muhammad, and Fatima, daughter of the Prophet Muhammad. According to The New York Times, her writing on contemporary subjects “draws sharp, funny, earthy portraits of the fault line separating Muslim women from their Western counterparts.”

Of the intersection of Islam and art, Mohja says: “One of the primary messages of the Qur’an is that people should recognize the beautiful and do what is beautiful. This is not simply a moral beauty but a visual and auditory beauty as well. Conduct should be beautiful, writing should be beautiful and speaking should be beautiful.” The beauty in Mohja’s writing ranges from the classically reverent in her poems about historical figures to a beautiful humor that simultaneously enlightens. Egyptian-American professor Dina Ibrahim commented on Mohja’s work after attending one of her readings. “It is just so refreshing for someone to put a lighter spin on being a Muslim in America,” she said. “Are we only going to talk about the war, are we only going to talk about how our faith is so misunderstood? It gets really old.

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