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- 1995: Overstreet's Favorite Films
1995: Overstreet's Favorite Films
Last updated on: May 29, 2012 at 6:19 pm by Jeffrey Overstreet
1995: Overstreet's Favorite Films 2012-05-29T18:19:07-06:00 Jeffrey Overstreet
Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.
Here is the current (but occasionally updated) list of my favorite films from 1995.
In order to understand the purpose and meaning of this list, please read my introduction to the Looking Closer Favorite Films lists here.
•
1995
- Heat
- Sense And Sensibility
- Dead Man Walking
- Toy Story
- Smoke
- Babe
- Safe
- Dead Man
- The City of Lost Children
- Seven
- Before Sunrise
- Kicking and Screaming
- The Usual Suspects
- A Little Princess
- Rob Roy
- Persuasion
- 12 Monkeys
- Casino
- The Addiction
- Get Shorty
- Clueless
- Ulysses’ Gaze
- Clockers
- Crimson Tide
- The Quick and the Dead
- Living in Oblivion
- Leaving Las Vegas
- Devil In A Blue Dress
- Apollo 13
- Blue in the Face
- Nixon
- To Die For
- Nelly and Monsieur Arnuad
- Richard III
- The Underneath
- Angels and Insects
- Sabrina
As-yet Unseen or Unratable Films of 1995
…And the Earth Did Not Swallow Him (Severo Pérez) 2 x 50 Years of French Cinema (Jean-Luc Godard and Anne-Marie Miéville) A Bucket of Blood A Midwinter’s Tale A Single Girl (Benoit Jacquot) All Things Fair An Awfully Big Adventure (Mike Newell) Anne Frank Remembered Antonia’s Line Bandit Queen Beyond Rangoon (John Boorman) Carrington (Christopher Hampton) Copycat Cyclo (Anh Hung Tran) Dadetown (Russ Hexter) Dead Presidents Deseret Desolation Angels (Tim McCann) Dilwale Dulhania Le Jayenge Don’t Forget You’re Going to Die (Xavier Beauvois) En avoir (ou pas) (Laetitia Masson) Fallen Angels (Wong Kar-wai) Flamenco Flirt (Hal Hartley) Fluke (Carlo Carlei) From the Journals of Jean Seberg (Mark Rappaport) Funny Bones Georgia (Ulu Grosbard) Getting Any? (Takeshi Kitano) Ghost in the Shell God’s Comedy (João César Monteiro) Good Men, Good Women (Hou Hsiao-hsien) Heavy Hideaway (Brett Leonard) Indian Summer (Saša Gedeon) Institute Benjamenta, or This Dream That One Calls Human Life (Stephen and Timothy Quay) Jefferson in Paris (James Ivory) JLG/JLG (Jean-Luc Godard) Jupiter’s Wife Kids (Larry Clark) La ceremonie (Claude Chabrol) La haine (Mathieu Kassovitz) Land and Freedom (Ken Loach) L’appat (Bertrand Tavernier) Le confessionnal (Robert Lepage) Le garcu (Maurice Pialat) Les Misérables Maborosi (Hirokazu Kore-eda) My Family Notes from Underground (Gary Walkow) On the Beat (Ning Ying)) Once Upon a Time . . . When We Were Colored Quatrilho (Fabio Barreto) Rendezvous in Paris (Eric Rohmer) Salaam Cinema (Mohsen Makhmalbaf) Scratch and Crow Shanghai Triad Spiritual Voices (Aleksandr Sokurov) Stuart Saves His Family (Harold Ramis) Tales from the Hood (Rusty Cundieff) The Addiction (Abel Ferrara) The Blade (Tsui Hark) The Bridges of Madison County (Clint Eastwood) The Brothers McMullen The Celluloid Closet The Convent (Manoel de Oliveira) The Flower of My Secret (Pedro Almodovar) The Horseman on the Roof (Jean-Paul Rappeneau) The Journey of August King (John Duigan) The Last Wish (Tikoy Aguiluz)* The Neon Bible (Terence Davies) The Short Life of Fire (Aureaus Solito) The Son of Gascogne The Star Maker The White Balloon (Jafar Panahi) The Wife (Tom Noonan) The Young Poisoner’s Handbook (Benjamin Ross) Two Bits (James Foley) Two Deaths (Nicolas Roeg) Underground (Emir Kusturica) Up, Down, Fragile (Jacques Rivette) Waati (Souleymane Cisse) Welcome to the Dollhouse When It Rains Zero Kelvin
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