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- What is “Munyurangabo”? And Why Do You Need to Know About It?
What is “Munyurangabo”? And Why Do You Need to Know About It?
Last updated on: March 30, 2013 at 1:26 pm by Jeffrey Overstreet
What is “Munyurangabo”? And Why Do You Need to Know About It? 2013-03-30T13:26:41-06:00 Jeffrey Overstreet
Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.
Of all the films I saw in 2008, two stood out above the rest.
But neither of them are in my “Favorites of 2008” list. That’s because they haven’t been released yet.
Since then, The Class has been released. It’s showing now, and I have just turned in an article about it for Christianity Today Movies. Hopefully, they’ll post it soon. (The movie’s playing in theaters NOW, so don’t miss it!)
But there was another film that won my heart, a powerful film about two young boys who become friends, even though they live on opposite sides of a civil war.
That movie is Munyurangabo. It’s filmed in Rwanda, and the actors are not professionals — they’re the people who really live there, in the midst of that strife. Nevertheless, it is convincing, compelling, and poetic.
I encourage you to read this excellent examination of the film by my friend Darren Hughes of Long Pauses. The article was published in Sojourners.
Thus, I am overjoyed to see this announcement from the extraordinary film distributor Film Movement:
March 2nd, 2009 (New York, NY) –
Film Movement (www.filmmovement.com), the North American film distribution company that brings first-run, award-winning independent and foreign films to fans all across the country, announced today their acquisition of MUNYURANGABO, an International Film Festival favorite exploring the lives, adventures and travails of two Rwandan teenagers. Directed by first-time American filmmaker Lee Isaac Chung, MUNYURANGABO is the first narrative feature shot in the native Kinyarwanda dialect, and its entirely non-professional cast and crew consisted of genocide orphans, returned refugees, and other undereducated locals barely making a living in the village where the film was shot. The film premiered at the Cannes Film Festival (Un Certain Regard), and was also selected for the Berlin Int’l Film Festival, Toronto Int’l Film Festival and New Directors/New Films, among others, in 2008. MUNYURANGABO will open in theaters in late May, 2009.
“An astonishing and thoroughly masterful debut… This is, flat out, the discovery of this year’s Un Certain Regard batch”
–Robert Koehler, VarietySynopsis of MUNYURANGABO:
After stealing a machete from a market in Kigali, Munyurangabo and his friend, Sangwa, leave the city on a journey tied to their pasts. Munyurangabo wants justice for his parents who were killed in the genocide, and Sangwa wants to visit the home he deserted years ago. Though they plan to visit Sangwa’s home for just a few hours, the boys stay for several days. From two separate tribes, their friendship is tested when Sangwa’s wary parents disapprove of Munyurangabo, warning that “Hutus and Tutsis are supposed to be enemies.”
Acclaim for MUNYURANGABO:
Winner – Grand Jury Prize, AFI Fest
Winner – Best First Film, Mexico City Int’l Contemporary FF
Winner – Best Narrative Feature, Sarasota FF
Winner – Peace and Cultural Understanding Award , Wine Country FF
Nominated – Breakthrough Director, Gotham Awards
Nominated – Someone to Watch, Independent Spirit Awards
Official Selection – Cannes FF (Un Certain Regard), Berlin Int’l FF, Toronto Int’l FF, Pusan Int’l FF, Rotterdam Int’l FF, Sao Paulo Int’l FF, London Int’l FF…
The acquisition of MUNYURANGABO was negotiated by Film Movement’s Adley Gartenstein, President, and Rebeca Conget, VP of Acquisitions and Distribution, and UMedia’s Frederic Corvez.
“This is an incredibly special film, in many ways, that we believe will soon become a world cinema classic. We feel extremely proud to give Munyurangabo a home in North America, and look forward to sharing its compelling story and artistry with audiences.” said Rebeca Conget, Film Movement’s VP of Acquisitions and Distribution.
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