Patheos

BuddhistCatholicContemplativeEvangelicalGeneral ChristianHinduJewishLatter-day SaintMuslimNew VisionsProgressive Christian

Beliefs

Topics

Columnists

Resource Library

Research Tools

Video

Podcasts

Thought Readers

Faith In Media Tracker

Newsletters

Ad-Free & Subscriber Log-In Subscription Support

Patheos

Ad-Free & Subscriber Log-In Subscription Support

Follow Patheos Patheos on Facebook Patheos on YouTube

Looking Closer

The Wings of the Dove (1997)

Last updated on: June 22, 2015 at 10:50 am   by Jeffrey Overstreet

The Wings of the Dove (1997) 2015-06-22T10:50:23-06:00 Jeffrey Overstreet

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

wings_of_the_dove_ver1It’s a shame that Helena Bonham Carter earned a Best Actress nomination for this performance, when so many others — take last year’s Margaret’s Museum, for example — have allowed her to be the combustibly reckless personality that only she can be. 

In director Iain Softley’s adaptation of Henry James’s The Wings of the Dove, Bonham Carter plays Kate Croy, a young woman being groomed for the life of an early 1900’s upper class British lady. Croy’s smart enough to pull it off, but she’s so in love with Merton (Linus Roache), a poor boy journalist, that she’s willing to commit a cruel deception to get what she wants.

Bonham-Carter has the talent to make this work, but the script robs her of the opportunity. The problem is this – we’re given no reason to care about these two yearning hearts, and thus we are missing the necessary tension when we see Kate and Merton’s love endangered by their own foolishness. Our only evidence of their love is a garish display of suck-face. One would hope they are attracted to each other for more than heavy smooching. I haven’t read James’s novel, but something tells me we’re not getting whatever has made this story a classic of English literature. Quite probably, this adaptation is an example of too much story, too little screen time.

Softley’s much-acclaimed film version does deserve praise for its Oscar-nominated costuming and cinematography. But its script fails to develop the central characters enough for us to care much about them. In the end, it’s an ordeal to watch desire overcome discernment until disaster inevitably follows.

As we watch naughty Kate dupe her wishy-washy lover into faking affection for Millie, a dying rich girl (Eliot), in order to win her heart and her money, we are disgusted by the plan, unconvinced by the plotting lovers, and a little sorry for the dying million-heiress, who actually achieves a few moments of genuine charm. Millie falls hard for the young man and, predictably, Merton begins to feel something genuine for her, leaving his poor lover in a puddle of anxiety. Kate’s jealousy leads, of course, to disaster.

In the end, there’s little suspense, since there is no one to sympathize with or applaud. We can only shake our heads and say “Poor poor Millie… bad bad Kate!” And when the tormented Merton finally confesses to his sour-faced lover that the dying Millie is “more alive than anyone I have ever met”, we are somewhat surprised. Really, Merton? I mean, sure, she’s charming; but did something essential end up on cutting room floor?

Overall, this adaptation leaves us with a pageant of base behavior, outbursts of emotions without evident foundations, and characters who never live up to others’ perceptions of them. On any given week, you can probably find a prime time television drama that demonstrates the morals of the story – tell the truth and don’t let money dictate your decisions – with more subtlety and eloquence.

It might have been far more satisfying to see Merton to shape up, fall in love with Millie, save her life, and then prosecute the reprehensible Kate. But James’ story is about disintegration and corruption, not redemption. Still, the way this film is framed, it seems the filmmakers are more enamored of their selfish characters, more interested in exploring their exploits, than they are in considering the consequences of the sin. What might have been liberating becomes, in the end, merely lurid.

Film Reviews

Helena Bonham Carter

Iain Softley

The Wings of the Dove

Previous Post



September 28, 2007

Wings of Desire (1987)

Next Post



September 29, 2007 Reading Letters and Blogs "Darkly"


Browse Our Archives

Select a Category Blog Bloggers on "Through a Screen Darkly" Browser Coming Soon Endorsements Fiction Books Film Forum Film Reviews Inspirations Interviews Journal Kindlings Muse Movie buzz Music Reviews Non-Fiction Books radio Reviewers on "Through a Screen Darkly" The Auralia Thread Through a Screen Darkly Through a Screen Darkly - Bonus Materials Top 10 (or 20 or 100) lists Uncategorized

Select a Month June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 February 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 July 2003 May 2003 March 2003 September 1999


Follow Us!

Follow Us on Facebook Follow Us on Twitter



TAKE THE

Religious Wisdom Quiz

What does "Deuteronomy" mean in Greek?

Select your answer to see how you score.

Second Law Sacred Song Great Journey Many Stories

Related posts from Looking Closer

Entertainment

Inside Out (2015)

Looking Closer

Entertainment

The Secret of Kells (2010)

Looking Closer

Entertainment

Tomorrowland? Or Tomorrow-bland?

Looking Closer

Entertainment

Mad Max: Fury Road (2015)

Looking Closer

TRENDING AT PATHEOS Religious Music & Entertainment

"Les Diabolique" and Transgression

  Alongside something like Arrival, Vertigo, or Charade, Les Diaboliques is a...

"The Plague Dogs" and Mortality

So, flashback to the late 70s, early 80s. Walt Disney Studios is...

Movies Are Our Modern Myths

With the recent and highly successful release of Christopher Nolan’s epic film,...

"L'avventura" and Human Weakness

Today's piece is going to be a little different for a few...

Writer's Block in Tough Times

I first want to apologize for not posting or writing anything.  I'm...

Jerome

I've engaged in the multi-year project of reading through the Church Fathers,...

view all Religious Music & Entertainment blogs

Patheos on Facebook Patheos on YouTube

Ad-Free & Subscriber Log-In Subscription Support

Copyright 2008-2026, Patheos. All rights reserved.

Subscription Support Ad-Free & Subscriber Log-In

Follow Patheos Patheos on Facebook Patheos on YouTube