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Top Five Questions Rocking the Moviegoer World

Top Five Questions Rocking the Moviegoer World

Last updated on: December 2, 2012 at 11:36 pm by Jeffrey Overstreet

Top Five Questions Rocking the Moviegoer World 2012-12-02T23:36:00-07:00 Jeffrey Overstreet

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Ever since I heard a local news anchor make the hilarious claim that The Gospel of Judas is “rocking the Christian world,” I’ve become fond of that phrase. (I have yet to meet any Christian whose faith has been overturned, or even jostled, by the re-emergence of a heresy that was long ago dismissed by thinking Christians.)

So I’ve decided to look around for what might (not) be rocking other people’s worlds.

In that spirit, here are the Top Five Questions Rocking the Moviegoer World This Week:

5. When is Eddie Izzard going to get the big screen break he deserves?

The extraordinary “executive transvestite” comedian certainly deserves better than a voice-over role as a koala bear in Disney’s spectacularly forgettable animated flick The Wild. This guy could be bigger than Robin Williams ever was if somebody would hand him the right role.

4. Which is worse: The DaVinci Code‘s silly fabrications masquerading as a serious discrediting of Christianity, or Tom Hanks haircut?
Apparently, the scandal of The DaVinci Code’s empty claims against the church is becoming a tiresome subject. Hollywood is now obsessed with a whole new aspect of the film. That’s good. Let’s get the Hollywood press out of the business of theology and back onto the subject matter they’re best at… frivolous fashion trends. Hair-esy! I say… Hair-esy!

3. Does the announcement about Paradise Lost – the movie – mean that we can look forward to a whole franchise about Satan?
I doubt we’ll get a franchise, but the devil is definitely in the details of Hollywood’s future. The director of Slither is now working on a comedy called Scratch. And the new James Bond, Daniel Craig, is also in talks to play the horned meddler in an adaptation of Glen Duncan’s novel I, Lucifer.

2.
Who’s the best choice to play Satan, Father of Lies, in Scott Derrickson’s big screen adaptation of John Milton’s Paradise Lost?

Five options:
a) Tom Cruise

He’s just got the steely determination and the vacuous, salesman personality that the role demands.

b) James Frey

Because he has experience with the whole “passing yourself off as something you’re not” thing.

c) Donald Rumsfeld

Whatever the President says, we know that Rumsfeld has a lot of experience at being “the Decider” in military matters, and this is, after all, a role that calls for an actor who can be convincing as a military mastermind.

d) Stephen Colbert?

The late night comedian didn’t win the Pulitzer like he’d hoped, so Derrickson should tap into Colbert’s hellish rage while it lasts.

1. United 93: Do We Need to See This?

Gavin Smith at Film Comment says it’s a must-see.

But Lisa Schwarzbaum writes in Entertainment Weekly:

Do we need to see this? No. There’s no right or wrong way to remember 9/11, no shame in skipping the movie-fied sight or prize for those who dare to look. Do we benefit from recognizing, in United 93, that there’s no difference between those who died and us, in fear and in courage? Absolutely.

I agree with Schwarzbaum. There is no “SHOULD” here. For some it will be rewarding. For others, it would only tear scabs off of wounds.

As sure as I am that many will find the film rewarding, I have concerns that will keep me from it, at least for now.

As Sam Phillips sings, “Pictures steal our memories and turn our minds to salt.” When we look at someone else’s manifestation of an event, it can affect our memories of that event. For this reason, I never watched a videotape of my own wedding. I don’t want to think of what it looked like from the back of the auditorium. I want to preserve as sacred the experience I had at the front of the auditorium, seeing it from that place.

So many of my high school experiences are lost in my memory, and I cannot call them up, all because of my preoccupation with photographs and video. When someone mentions graduation, I see my videotape playing in my head. I see my parents’ photographs. I’ve lost my own experience.

After September 11th, T Bone Burnett, who was just down the street from the attacks, wrote:

I would prefer not to relate the emotional aspects of the event, as you will hear it all from the media, and although some of it will be useful most of it will be a hypnotized unconscious and irresponsible effort on the part of the media to try to “make” your emotions for you. I would urge you to avoid this as much as possible. Your emotions are your own as are your thoughts and impressions, and they are sacred. Try to keep them that way and avoid the mob effect that you will be submitted to. Try to think and feel for yourself.

I have my own impressions, however through it all the most difficult thing was to keep a sense of awareness separate from the food of emotions and confusion. To stay at the top of the string, not in the sway of the pendulum.

I believe that Greengrass is an artist, not just an entertainer. His work will be more valuable than most of the media regurgitations of footage and fear that force us to relive the experience while distancing ourselves from it more and more.

And yet, I cherish my memories of the experience, for all that they taught me, for the way it changed my life, for the sacred moments Anne and I shared walking on the beach a couple of hours later and reminding ourselves of the sovreignty of God in the presence of the beauty of his creation; walking under the hush of the skies while all air traffic was grounded, in the quiet of the coastline railroad while all trains were were held at their stations.

I don’t want to add to my mind’s available stock of imagery about that experience just yet, for fear the big screen’s intensity will burn over what is my very own.

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April 20, 2006

Scott Derrickson to direct John Milton's "Paradise Lost"

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April 27, 2006 Steven Greydanus on "United 93"

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