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Fame-Shame Culture and Social Media

Last updated on: April 1, 2020 at 12:19 am   by Brad Vaughn

Fame-Shame Culture and Social Media 2020-03-29T03:25:26-07:00 Brad Vaughn

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

This article is reposted with permission. Guest Ally McGeever is the Young Women’s Engagement and Development Officer in Dublin, Ireland. This post summarizes her recent presentation as the Irish Bible Institute. 


How is fame different to honor? Both are defined by what others think of you, but fame is not conditional on others thinking highly of you, nor do those with the opinions have to be in community or relationship with you.

In this post, I want to explore how fame culture has evolved over time, and particularly how it has recently changed our relationship with shame under the influence of social media.

Fame culture has changed because of social media

If we think of fame through the 1970s-90s they hold generations of celebrities that were known about by many but not known personally by most. This exclusive celebrity culture revolved around idealised examples of ‘perfect humans’, much like the historic fame culture preserved for heroes and royalty.

Credit Wikipedia

Today the most famous people in the world are Youtubers, bloggers and Instagramers. They are not nearly as ubiquitously known as the celebrities of previous generations, but their fans know them much more personally. Fame has evolved from a pedestal of surreal idealism, to a relatable, constant presence that feigns connection. We have replaced the want for a king with the want to know (Niemark, 2019); fans have become followers.

The most famous people today no longer promote an unattainable brand of perfectionism to be idolised, but a brand of authenticity and relatability. They are marketing a sense of relationship by sharing everything about their life, from what they had for breakfast to announcing that they are pregnant. The market is built on the optional one-way nature of public social media accounts, allowing followers to be in someone’s personal life without the interaction that risks shame. The direction of fame has changed, from looking up to looking in.

The reason for this sudden shift in fame culture is a direct consequence of social media. But it is also reflective of, and reactive to, how honor culture has changed in recent decades.

Social media replaces community with audience

In the past, honor could be (simplistically) defined by how well the people in your community thought of you. With the rise of individualism and independence, our communities have become smaller, reducing the size of our honor feedback network. This can cause significant anxiety because it disrupts the risk of shame. What was once the fear of one in 20 people thinking badly of you in a larger co-dependent community, can now be one in four in the small network of relationships of a relatively independent lifestyle.

One way to reduce this risk is to broaden your social feedback network by supplementing (or even replacing) your community with an audience, listening to the feedback of many people who are not necessarily in relationship with you, instead of being reliant on the feedback from a small group of people who know you. Social media offers us an audience to replace community, and a convenient array metrics too quantify honor/shame feedback (likes, comments, shares, etc). Replacing community with audience has replaced the role honor with fame and the practice of relationship with performance.

There are several consequences to this:

  1. We lose connection from community members that are not part of the audience we are measuring honor (now fame) feedback from. This has particularly eroded the important role of intergenerational feedback as the social media platforms have different age demographics. Many people have relationships with relatives and friends who are not on social media to feedback to us in the metrics we pay attention to.
  2. We increase connection with audience members who know us, but are not in active community or relationship with us (eg. Past college friends, friends of friends).
  3. And we connect to audience members who do not know us at all.

Social media increases our risk of shame

Ironically, the consequence of these three factors is an increased risk of shame because you are taking feedback from people who know you less and therefore can judge you more. Here are just a few ways that replacing community with audience increases the risk of shame on social media:

The different forms of social media shame are diverse, some highly justified and consistent with the values of real life society, others exclusive to virtual etiquette and others seemingly trivial but still effective in evoking feelings of deep personal shame. The specific risks will be determined by the audience demographics and personal brand of each account. Here are just a few examples of topical social media shame risks:

Shame ‘immunity’ through the personal brand

In this high risk environment, social media makes us deeply aware of the space between how we see ourselves and how others see us. One way to respond to the high shame environment is to create shame ‘immunity’ through the personal brand (Rosario, 2015). This means you can maintain your honor and avoid shame by curating the perfect presentation of yourself by selectively sharing content that perpetuates positive fame and minimises exposure to shame. This is a direct reaction to replacing community with audience, becoming more performative in our behaviour, and less authentically relational. The cost is reduced connection with self and others as you must live up to your personal brand in the overlap of virtual and physical social spaces, and interact with others who are also presenting a brand instead of authentic self. This results in less authenticity, reduced depth of relationship and rising social anxiety.

Further Reading:

Reflection Questions:

Honor & Shame (Face)

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