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Select a Category A. G. Harmon Alissa Wilkinson Allison Backous Art Authors Brad Fruhauff Bradford Winters Bryan Bliss Caroline Langston Chad Thomas Johnston Chris Hoke Christiana N. Peterson Culture D.G. Myers D.L. Mayfield Daniel Bowman Jr. David Griffith Elizabeth Duffy Faith Film Greg Wolfe Guest Contributor Interview Jan Vallone Jeffrey Overstreet Jessica Eddings-Roeser Jessica Mesman Griffith Kelly Foster Lindsey Crittenden Morgan Meis music Natalie Vestin Nick Olson Peggy Rosenthal Personal Reflection Poetry Friday Reflection Relationships Review Richard Chess Richard Cole Sara Zarr Shannon Huffman Polson Sonya Bilocerkowycz Tania Runyan Tony Woodlief Topical Categories Uncategorized Vic Sizemore Writing

Select a Month October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 February 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 February 2008

January 2017

January 26, 2017

To Run and Not Grow Weary, Part 2

By Jeffrey Overstreet. Maybe it was instinct that sent me back to relive the 1924...

January 25, 2017

To Run and Not Grow Weary, Part 1

By Jeffrey Overstreet. So, why Chariots of Fire? Why is that what I chose for...

January 24, 2017

Kenneth Lonergan’s Manchester by the Sea

It’s impossible to speak of Kenneth Lonergan’s film Manchester by the Sea without alluding to...

January 23, 2017

The World at Midday

I spent Christmas Eve with my mom last month for the first time in years....

January 19, 2017

Now is the Time to Read The Man in the High Castle

Imagine an alternate history in which a regime arose in the United States that believed...

January 17, 2017

Black Lives, Black Art

I happened to be re-reading Uncle Tom’s Cabin when the current issue of Image (#90)...

January 16, 2017

Martin, Everett, and Me

I am writing this essay on the fortieth anniversary of my father’s death, so my...

January 12, 2017

Making Contact: A Christian-Atheist Friendship, Part 2

An introduction: Decades ago, in the faraway land of Orange County, California, two young women...

January 11, 2017

Making Contact: A Christian-Atheist Friendship, Part 1

An introduction from Tania Runyan: Decades ago, in the faraway land of Orange County, California,...

January 10, 2017

Meeting Islam in Interfaith Friendships

In 1993 my husband George Dardess began visiting our local Islamic Center: first to learn...

January 09, 2017

Hea i ka Haku

By Marlene Muller On day two we fired the harpist. “The music is really very...

January 06, 2017

Listening to Silence

I arrived at the advanced screening for Martin Scorsese’s new film, Silence, in the worst...

January 05, 2017

There Is No Free Breakfast

When I joined the gym, I was given two free personal training sessions to help...

January 04, 2017

A Song of Songs for These American Days

With thanks and apologies to the Beatles, Leonard Cohen, Emily Dickinson, Neil Young, Wallace Stevens,...

January 03, 2017

Transcendence: A Tribute to William Christenberry (1936-2016)

“The art of losing isn’t hard to master,” Elizabeth Bishop said, with irony. Still, it’s...

January 02, 2017

Poem for the New Year: “In the Candleroom at Saint Bartholomew’s on New Year’s Eve” By Heather Sellers

This poem moves me and impresses me with its sense of almost-but-not-quite arriving at connection....

December 2016

December 29, 2016

Quaecumque Vera: 16 Songs for 2016

By Joel Heng Hartse You do not have to feel guilty about loving music. Please...

December 28, 2016

Thirty Minutes Without My Phone

The fact that a half-hour meal alone in an IHOP occasions its own blog post...

December 26, 2016

A Love Supreme: The Surprising Art of Sedrick Huckaby

This essay is a web exclusive accompanying Image journal’s current issue, #90.  By Bruce Herman...

December 22, 2016

Gird Yourselves, Yet Be Shattered

Of Lanecia A. Rouse Tinsley’s small encaustic Advent paintings, my favorite is Meditation on the...

December 21, 2016

On the Front Lines

By Paul Anderson Seven months ago, I was teaching writing to high school seniors at...

December 20, 2016

Kathleen Wakefield’s Invisible Stenographer

You’ve got to meet this character. She’s a stenographer by trade: From the outset she...

December 19, 2016

I Miss Gwen Ifill

For Kate Keplinger It is the blight man was born for It is Margaret that...

December 15, 2016

A Conversation with Scott Derrickson, Part 2

Continued from yesterday. Scott Derrickson is a director whose films include The Exorcism of Emily Rose,...

December 14, 2016

A Conversation with Scott Derrickson, Part 1

Interviewed by Nick Olson Scott Derrickson is a director whose films include The Exorcism of Emily Rose,...

December 13, 2016

Keeping Vigil

By Suzanne M. Wolfe These are dark times. Here in the northern hemisphere the sun...

December 12, 2016

Stopping the Press

By Mary Kenagy Mitchell This is the time of year when we work on Image’s...

December 07, 2016

The Patron Saint of Losers, Part 2

This post, which appears as the Editorial Statement in Image issue 90, is continued from...

December 06, 2016

The Patron Saint of Losers, Part 1

This post appears as the Editorial Statement in Image issue 90. One of the stranger conversations...

December 05, 2016

The Nightingale Floors

In Kyoto, Japan, seventeenth-century Nijo Castle contains an architectural feature meant to protect the ruling...

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