Patheos

BuddhistCatholicContemplativeEvangelicalGeneral ChristianHinduJewishLatter-day SaintMuslimNew VisionsProgressive Christian

Beliefs

Topics

Columnists

Resource Library

Research Tools

Video

Podcasts

Thought Readers

Faith In Media Tracker

Newsletters

Ad-Free & Subscriber Log-In Subscription Support

Patheos

Ad-Free & Subscriber Log-In Subscription Support

Follow Patheos Patheos on Facebook Patheos on YouTube

filmchat

Mary Magdalene: the actors interview round-up

Last updated on: April 13, 2019 at 4:41 pm   by Peter T. Chattaway

Mary Magdalene: the actors interview round-up 2019-04-13T16:41:02-07:00 Peter T. Chattaway

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

Mary Magdalene is finally coming to North American theatres this week. Yesterday I rounded up some interviews that director Garth Davis did when the film played overseas last year. Today I’m rounding up some interviews with the film’s lead actors.

First up, there is Rooney Mara, who plays the title character.

I linked to a number of interviews that Mara did about this film in previous posts of mine — in 2016, 2017 (again) and 2018 — and she also appeared in a number of articles and videos that I posted yesterday as part of my Garth Davis interview round-up.

On her own, she spoke to Harper’s Bazaar about Mary Magdalene’s “feminism”:

“She’s incredibly radical for her time,” Mara told us. “It would have been totally shocking and unheard of for a woman to go off with a load of men, leaving her family. She really was a profound feminist figure way ahead of her time. I couldn’t believe her story hadn’t been told before.” . . .

When researching the role, Mara discarded everything she had been taught about Magdalene and started anew based on Davis’ script and the Gospel of Mary, which offered a very different view. The film also explores the relationship between Magdalene and Jesus, played by Joaquin Phoenix – who Mara is also dating in real life.

“They have a really beautiful relationship,” says Mara. “She really loved him and they have this understanding of one another. When he comes along, he’s the first person in her life to really see her for who she is and understand that, appreciate it and make her feel that she can follow that thing that she feels inside her. I think the same goes for him. She sees and understands him in a way that no one else has. They’re kindred spirits.”

She spoke to the Malaya Business Insight about the film’s exorcism scene:

One of the toughest scenes for Mara was the exorcism scene. Before leaving Magdala to follow Jesus, Mary’s family calls on an exorcist to perform an exorcism on her. It is an act of love, the family believes. Davis explains: “They can’t understand Mary’s personality or her choices – they just see it as the demon….“

“That scene was really brutal, especially because of the way Garth chose to portray the family,“ says Mara. “He’d created a very loving environment and family. They all care deeply about each other so when the exorcism comes, it’s that much more heartbreaking. It doesn’t feel like a cliched version of the bad guys versus the good guys. They really love her, they think they’re doing what’s best for her.”

While the scene was being shot, the cast and crew underwent a bizarre and unsettling experience. “We all had a copy of one of the ancient texts as we were preparing for the scene,” says Davis, “and almost the minute we started walking into the water, the wind just stopped. Completely. There was no movement. And then lightning started breaking all around us. It freaked everyone out! An interesting moment of life mirroring art.”

Mara and possibly other members of the cast also spoke to the Independent in Ireland — in articles here and here — that are currently being hidden behind a paywall.

Also behind a paywall: an interview with Mara, and possibly others, in The Times.

Next up, Joaquin Phoenix, who plays Jesus in the movie.

I linked to a couple of interviews that Phoenix did about this film in 2017 and 2018.

Since then, he has spoken to Will Ferrell for Interview magazine:

FERRELL: [laughs] You have another movie coming out where you’re going to be playing Jesus Christ. You and I have both played Jesus in major pictures.

PHOENIX: Is that right?

FERRELL: Yes. In the movie Superstar [1999], starring Molly Shannon as her Mary Katherine Gallagher character, I come to her as Jesus in a vision.

PHOENIX: What drew you to that role? How did you prepare for it?

FERRELL: You know what, it was all about blue contact lenses. That was it. I was the hunky heartthrob that she loved, and she was dreaming about me. Of course, I was playing a high school kid, at age 32. I come to her, and I appear as that character, but now I’m Jesus as well, in a vision.

PHOENIX: That sounds beautiful.

He spoke to Anne Thompson @ IndieWire:

“Luckily not a lot of people are familiar with the character, so I had a lot of freedom,” he joked. “There always has to be a moment where you have to say, ‘This is mine, my interpretation.’ It’s something I have to do with every movie. ‘Fuck, I hate that they have this expectation of what this scene is supposed to be, like I’m supposed to achieve something.’ I hate the idea of a set goal.”

He spoke to the Independent in the UK:

Coming off the back of You Were Never Really Here, in which he plays a monolith of a man – the type of physique where excess fat obscures the muscles but you can still tell that he could have your head doing 800rpm on your neck if he punched it – Phoenix was put on a “brutal” 300-calories-a-day for Mary Magdalene so as not to portray the first swole Jesus, and this was in Sicily, “where you just wanna roll out and eat some good pasta and have a glass of wine”. . . .

“There’s just no one like him,” he says of Mary Magdalene director Garth Davis. “There’s such a sensitivity and consideration and appreciation for what everybody does, he reveres acting or at least he makes you feel that way, and so he’s super-perceptive.

“I remember we were doing this scene where I’m talking to Judas who’s saying, ‘Bring about the Kingdom now’, and he leaves and Mary comes in and washes Jesus’ feet. We were breaking it up into two different scenes for shooting, just me and Judas first – we were gonna get that and then Mary was gonna come in later.

“Then on this one take, for whatever reason I just really felt Tahar’s [Rahim, Judas] performance, I was really caught up in the moment, and when he left I turned and I wanted Mary to just come in so bad. So I sat there and immediately I heard, off-camera, Garth whispering, ‘Go to him Mary, go to him,’ and she came in and we just kept running and played the scene out.

“Garth could sense that I was feeling something and wanted to move it forward, and when you work with a filmmaker like that it’s a joy to be on set, you feel like you’re in good hands and it’s inspiring.”

He spoke to the Irish Times:

“I think it was most important for me to find the man,” he wheezes. “Obviously we think of the icon first. And that is very dangerous as an actor.”

So, he didn’t wrestle with the challenge of playing divinity.

“We are all spirit and flesh,” he says. “It was more to do with finding that in myself and other people. I saw that in, for example, Sister Helen Prejean, who sits with death row inmates. I also thought of the Reverend James Lawson, who was very active in the Civil Rights movement.”

He spoke to Radio Times:

“I definitely hesitated,” he says of the decision to portray one of the most widely known figures in history, “[but] the second time I started reading [the script] I found it to be really emotional.”

The film’s feminist through-line was also a significant factor in his decision. Director Garth Davies (Lion) and writers Helen Edmunson and Philippa Goslett reposition Mary Magdalene as the 13th apostle, correcting the myth, still perpetuated today, that she was a prostitute.

“It’s unf***ingbelievable that it’s still happening,” Phoenix says of the misconception. “You know, in the bible you have two options of women, you either have the virgin or you have the prostitute, the sinner.”

He spoke to Premier in the UK about role models and forgiveness:

And the star notes the significance of how the film shows Mary, arguably one of the most misunderstood spiritual figures in history, in a different light.

“I couldn’t help but think of young girls that are religious and have felt like their two examples of them in the Bible are either the virgin or the whore,” he states.

“And even if you’re not conscious of that, subconsciously it has to affect you and the way that you navigate the world and navigate your faith.

“It made me really excited, the prospect of young girls feeling like they’re represented in a biblical context in such a positive way.” . . .

And making this movie has changed his perception of what forgiveness – a big theme in Mary Magdalene – really is.

“I always thought forgiving somebody was like you were absolving them of their sins or their transgressions or whatever it is they did, and I started thinking it has more to do with the person forgiving than it is for the other person, it’s such a difficult task,” he suggests.

“And it’s how it changes you that is the power, right? Because obviously you can forgive somebody, but what is that doing? You can’t absolve them of what they did.

“But it changes how you feel about it, and I really liked that idea. It’s something that really moved me.”

He talked to Stuff in New Zealand about possible backlash to the film:

Did he worry about a backlash from the faithful?

“I mean, as an actor there’s a danger in thinking that way. Of course it came into my head, in the same way it did when I played Johnny Cash in Walk the Line – both JC,” he smiles, as if he’s only just noticed. “You’re playing somebody who’s so beloved, and who everyone already has this idea of who they are, but I have to interpret it in the way I want. I can’t work based on other people’s feelings.”

He spoke to Dazed:

Has doing Mary Magdalene affected you spiritually or religiously? From what I gather, you’re not necessarily the most religious person.

Joaquin Phoenix: No, I’m not religious. When I got the script, it was a period when I had a greater curiosity about spirituality that was growing in me. When I read the script, it was something that I wanted to experience, and to feel, in a way. It was just chance.

Does that distance from religion help you when playing the role?

Joaquin Phoenix: It would be a different movie, right? Obviously, Christianity didn’t exist when Jesus was alive. So there was nothing set. I was able to approach it as the man, and not the icon. I think that was important.

Phoenix also did a video interview with ODE Entertainment:

Finally, You Were Never Really Here director Lynne Ramsay told The Hollywood Reporter about how she treated Phoenix while he was working on her movie:

Despite the film’s gritty and gruesome material (it’s based on Jonathan Ames’ book of the same name), director Lynne Ramsay said she made efforts to lighten the mood on set. “I knew Joaquin was going to be playing Jesus next,” Ramsay told THR of the actor’s work opposite real-life girlfriend Rooney Mara in the upcoming Mary Magdalene. “I sent my assistant out to buy plastic loaves of bread and fish. I’d give them one by one to Joaquin.”

Finally, Chiwetel Ejiofor, who plays Peter in the movie.

Ejiofor spoke to the Evening Standard about staying in character between scenes:

“There was something about being in Sicily and walking all the time and about the sandals, the robes the freezing cold that kind of kept us a little bit in character,” he said.

“We were in the hills of Sicily trying to set up tents with the equipment that we had to make ourselves wind cheaters.

“We ended up feeling very connected to whatever the journey was of these guys and this woman. It does put you in that place and makes you wonder what that journey really was like.”

He spoke to the Los Angeles Times about this and his role as a preacher in Come Sunday:

Ejiofor was raised Roman Catholic and attended church and Sunday school as a child in London, but he never really engaged with religious outside of an intellectual curiosity. He’d read large parts of the Bible as a teenager, mostly because he was fascinated by the idea of the end of the world, but it wasn’t until the actor took on “Mary Magdalene” (an upcoming drama starring Joaquin Phoenix and Rooney Mara from “Lion” director Garth Davis) and “Come Sunday” in succession that he really revisited the idea of faith.

The preparation for both films overlapped (“Mary Magdalene” was shot at the end of 2016, “Come Sunday” in early 2017), and Ejiofor re-read the Bible on planes ahead of shooting.

Ejiofor also talked about the significance of religion with Sky News:

Ejiofor says he doesn’t see religion as a theme to avoid, but something which Western society should accept and approach differently.

“There’s a lot of talk at the moment about secular societies. And I don’t really believe there was ever such a thing as a secular society, not really,” he says.

“And I think we’re so steeped in religion in terms of our psychology, philosophy, social interaction, justice and government and gender dynamics, that everything is based on religious terms and religious ideas.

“We judge the days of the week over how many days since the birth of Christ. We are surrounded by religion in the West.

“This believe that we are slightly separate from it or that it’s a ‘ye olde’ stuff is just not true.

“So I felt like actually exploring these stories, dealing with religion, spirituality, in a forthright way. It feels exactly right to me.”

There is one more interview round-up to come. Stay tuned.

April 11 update: Mara spoke to USA Today about that photograph:

Rooney Mara never thought she’d go viral.

In 2017, the actress became a minor internet sensation when a photo leaked from the set of biblical drama “Mary Magdalene,” showing her smoking a cigarette in full costume right next to a crucified Jesus (Joaquin Phoenix) on the cross. The anachronistic image quickly became a meme on social media and was picked up by sites such as BuzzFeed, which declared it “art.”

Mara, 33, laughs at the mention of the picture, which was snapped in between takes.

“My grandparents have it framed in their house, actually,” she says. In all fairness, “I was lighting it for (Phoenix) because he couldn’t use his hands.”

April 13 update: Phoenix told CNN.com he refused to do one thing:

Near the beginning of “Mary Magdalene,” which opened Friday in the United States, the script called for Jesus to heal a blind woman by rubbing mud in her eyes, an echo of John’s Gospel. (It’s a blind man in the Bible, a blind woman in the film.)

“I knew about that scene from the Bible, but I guess I had never really considered it,” Phoenix told CNN in a recent interview.

“When I got there, I thought: I’m not going to rub dirt in her eyes. Who the f*!# would do that? It doesn’t make any sense. That is a horrible introduction to seeing.”

The Bible doesn’t fully explain why Jesus used mud or clay to heal the blind, though some experts say it was a common practice among first-century healers.

In “Mary Magdalene,” Phoenix decided to go with his gut, licking a mudless thumb and gently rubbing the woman’s eyes.

“It freed me up, in some ways, to discover what is truthful in the moment,” he said. “That moment is not so much about a real miracle. It’s about someone who has been dismissed by society finally being seen, embraced and encouraged to join the broader community. To me, that is a miracle. There’s something profoundly beautiful about that sentiment.” . . .

“The key for me was not to apply any rules to the character,” he told CNN. “There are times when he is filled with rage and times when he is at peace. He is very much a human being. The one thing we keyed in on was that everything he felt, he felt strongly. I don’t know if it was a sixth sense or something else, but he made an effort to listen to others and be deeply empathetic.”

Phoenix also spoke to Newsweek:

“In America, we don’t acknowledge the profound effect Mary and these other unnamed women [who attended the crucifixion] had upon this radical, rebellious, f***ing awesome, kick-ass movement,” he said. “When I heard about that I started thinking, literally how could we not know about this?”

Commenting on the Gospel of Mary—an early Christian writing, rediscovered in 1896, that many scholars believe concerns Mary Magdalene—he said: “Why was Mary’s book not included in the Bible? The stench of blatant sexism becomes, you know, inescapable.”

If I find any more new interviews with the actors, I will add them to this post.

Blog

anne thompson

chiwetel ejiofor

come sunday

exorcism

garth davis

james lawson

jesus

joaquin phoenix

judas

lynne ramsay

mary magdalene

mary magdalene 2018

peter

rooney mara

sr helen prejean

superstar 1999

tahar rahim

walk the line

will ferrell

you were never really here

Previous Post



April 8, 2019

Mary Magdalene: the Garth Davis interview round-up

Next Post



April 9, 2019 Watch: Joaquin Phoenix's Jesus says women should obey God rather than men in a clip from Mary Magdalene


Browse Our Archives

Select a Category Anglican Planet Articles BC Christian News BC Report Bible Movies Bible Review Blog Books & Culture Campus Times CBC Radio Christianity Today ChristianWeek Essays Faith Today Festival Cinemas Guide Film Journals Georgia Straight Interviews MB Herald National Catholic Register Salvationist Today's Christian Two Chairs Ubyssey Uncategorized Vancouver Courier Vancouver Sun

Select a Month August 2025 April 2025 January 2025 December 2024 November 2024 May 2024 February 2024 December 2023 May 2023 March 2023 November 2022 July 2022 June 2022 May 2022 April 2022 February 2022 January 2022 December 2021 November 2021 October 2021 September 2021 August 2021 July 2021 June 2021 April 2021 March 2021 February 2021 January 2021 December 2020 November 2020 October 2020 August 2020 July 2020 June 2020 May 2020 March 2020 February 2020 January 2020 December 2019 November 2019 September 2019 July 2019 May 2019 April 2019 March 2019 February 2019 January 2019 December 2018 November 2018 October 2018 September 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 February 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 April 2012 January 2012 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 March 2004 February 2004 January 2004 November 2003 October 2003 August 2003 July 2003 June 2003 May 2003 January 2003 December 2002 November 2002 August 2002 July 2002 June 2002 May 2002 March 2002 January 2002 December 2001 November 2001 September 2001 August 2001 July 2001 June 2001 April 2001 March 2001 February 2001 December 2000 November 2000 October 2000 September 2000 August 2000 July 2000 June 2000 May 2000 April 2000 March 2000 January 2000 October 1999 August 1999 May 1999 April 1999 February 1999 January 1999 December 1998 November 1998 October 1998 August 1998 July 1998 June 1998 April 1998 March 1998 January 1998 November 1997 September 1997 July 1997 June 1997 April 1997 March 1997 February 1997 January 1997 December 1996 October 1996 September 1996 June 1996 March 1996 February 1996 January 1996 April 1995 November 1994 September 1994 September 1991


Follow Us!

Follow Us on Facebook Follow Us on Twitter



TAKE THE

Religious Wisdom Quiz

Which book of the Bible has a talking tree?

Select your answer to see how you score.

Proverbs Judges Ezekiel Genesis

Related posts from FilmChat

Entertainment

Joseph of Egypt – the Chosen spin-off announces...

FilmChat

Entertainment

Exclusive: A clip from Angel Studios' The King...

FilmChat

Entertainment

Exclusive: Watch a clip from Angel Studios' Brave...

FilmChat

Entertainment

Exclusive: Watch a clip from Angel Studios' Homestead

FilmChat

TRENDING AT PATHEOS Religious Music & Entertainment

"Les Diabolique" and Transgression

  Alongside something like Arrival, Vertigo, or Charade, Les Diaboliques is a...

"The Plague Dogs" and Mortality

So, flashback to the late 70s, early 80s. Walt Disney Studios is...

Movies Are Our Modern Myths

With the recent and highly successful release of Christopher Nolan’s epic film,...

"L'avventura" and Human Weakness

Today's piece is going to be a little different for a few...

Writer's Block in Tough Times

I first want to apologize for not posting or writing anything.  I'm...

Jerome

I've engaged in the multi-year project of reading through the Church Fathers,...

view all Religious Music & Entertainment blogs

Patheos on Facebook Patheos on YouTube

Ad-Free & Subscriber Log-In Subscription Support

Copyright 2008-2026, Patheos. All rights reserved.

Subscription Support Ad-Free & Subscriber Log-In

Follow Patheos Patheos on Facebook Patheos on YouTube