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The Harp Sermon: A Response to Charlottesville and Racial Hatred

The Harp Sermon: A Response to Charlottesville and Racial Hatred

Last updated on: August 22, 2017 at 7:04 pm by Leah D. Schade

The Harp Sermon: A Response to Charlottesville and Racial Hatred 2017-08-22T19:04:34-04:00 Leah D. Schade

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In addition to being a preaching professor, I am also a harpist. I was guest preaching at my home congregation, Gethsemane Lutheran in Lexington, Kentucky, on the Sunday after the deadly Nazi/KKK rally in Charlottesville, Virginia. In this ‘Harp Sermon,’ I draw on St. Paul’s analogy of the body and compare it to the instrument of the harp to talk about the sin of white supremacy. This is the time for all clergy to firmly proclaim God’s intention for diversity and to denounce racial hatred. [And if you’re looking for a pep talk for preaching about Charlottesville and white supremacy, read: 9 Reasons Why You Need to Preach about Charlottesville. Also, How to Preach When You Are Afraid.]

harp strings

The Harp and the Community of Christ

Text: 1 Cor. 12:14-27

[You can watch the video of this sermon here: (14 minutes)] The Harp Sermon

There is a book by Kahlil Gibran called The Prophet, in which he writes a poem about marriage has always stayed with me because he compares relationships with the strings of an instrument. Listen to his words:

Sing and dance together and be joyous,

but let each of you be alone,

Even as the strings of a [harp] are alone

though they quiver with the same music.

What a wonderful image of two people being together and yet having space in order to make beautiful music. I expand this metaphor to apply not just to two people, but to a whole community of faith, such as ours. And as a harpist, I have been mulling over what it means to be one of the strings in God’s instrument of the church.

Many strings – all necessary

Look at what Paul says about being a community of Christ. Verse 14 – “The body does not consist of one member but of many.” How many strings do you see on this harp? 47. But the sound of the harp is more than just these 47 strings. Look down here to the bottom of the harp – how many pedals do you see? 7 – one for each pitch of the scale. And each pedal has three positions – flat, natural and sharp. These pedals allow for a total of 141 different pitches. So that’s the first thing we learn about being in God’s instrument. It’s not just about one person, but about all of us gathered into this body of Christ.

Paul then says, “If the foot were to say, ‘Because I am not a hand, I do not belong to the body’, that would not make it any less a part of the body. And if the ear were to say, ‘Because I am not an eye, I do not belong to the body’, that would not make it any less a part of the body.”

He’s addressing the topic of inclusion in these verses. Because the church of Corinth was preoccupied with who was really included in their fellowship. Some in their assembly regarded certain individuals, and certain groups of people, as not worthy of inclusion because they were different from the others in the group. But Paul demonstrates just how ridiculous this is. It’s as if one of these pedals were to say, “Because I am not a string, I do not belong to the harp.” But that would not make it any less a part of the harp.

Harp pedals. Photo by Leah D. Schade.

Without these pedals, I can’t play pretty glissandos. And without all these strings, I can’t play all the pitches that a piece requires. Every string is important. All the pedals are necessary.

All colors are necessary

But the people in the Corinth church wanted to know – are there some people in our fellowship who are more important than others? They were obsessed with status, rank, and position. They wanted to know who had the most value.

Which of these strings do you think is most important? As you saw when I asked the question in the Children’s Sermon, some of them said the white strings, some of them said the strings with different colors. But, in fact, all the strings are important – I need every one of them in order to play the notes of the music.

harp strings.1

In the same way, human beings have different skin colors. But there is nothing fundamentally superior about the quality of people with white skin. And this is important to remember in light of the events in Charlottesville, Virginia. God made all people to be the finest quality, just like the harp strings are all the finest quality.

We can’t be “color-blind”

Some people will say, “Well, I don’t see color. I’m color blind.” But as a harpist, I can tell you – I see color! I need to see color. Without these colors, I don’t know where I am on the harp. All the C’s are red. All the F’s are black or blue. They help to orient me as I play.

There are, of course, different kinds of strings, and that is a good thing! Wire strings are on the bottom, gut in the middle, nylon on the top. There are different diameters – some are thicker, some are thinner. The strings have different lengths – some are shorter, some are longer. And each one is tuned to a different pitch. Every string is necessary, just like every person is necessary. The differences are what make the music possible.

God wants variety

But in Corinth, they thought that certain people in church were more valuable than others. They were holding certain members in higher regard than others, treating certain people as being more important than the rest. They were trying to make the church of Jesus Christ into a hierarchy. But what Paul is trying to illustrate to them with this image of the body is that every member is important. It’s not a top-down pyramid ranking each person from highest to lowest.

As Paul says, “If the whole body were an eye, where would the hearing be? If the whole body were hearing, where would the sense of smell be?” If these were all the same type of string you wouldn’t have a harp anymore. You’d have nothing more than some rubber bands stretched across a box. How boring would that be? No – God created each one of us with differences. And God did this for a reason, for a purpose. God wants variety. God values inclusion.

The sin of exclusion

But for the members of the Corinthian church, the differences were not something to be celebrated. Difference was seen as an excuse to rank people in order of importance and value. They even went so far as to say that those ranked less important were not even needed or wanted by the church. They wanted to shut out those members altogether. But Paul told them that this is ridiculously sinful. It’s like the eye saying to the hand, ‘I have no need of you’, or the head saying to the feet, ‘I have no need of you.’

“On the contrary,” says Paul, “the members of the body that seem to be weaker are indispensable, and those members of the body that we think less honorable we clothe with greater honor, and our less respectable members are treated with greater respect.”

St. Paul urges us to respect the “less respectable”

What does Paul mean by that? How do we treat the less respectable members with greater respect? Let me return you again to the harp. This instrument is not just strings and pedals. They need the structure of the base, sound board, column and neck to hold them all together. All those pieces are important. Not only that, but there are parts of this harp that you cannot even see that are critical in the make up of a pedal harp. There are rods going up through the column that are not visible to the eye – they’re hidden inside the column. And those rods connect to a mechanism of 2000 moving parts here in the neck.

I may want to just ignore this little pin here, or that little gear there, and think that it’s not important. But if just one of these behind-the-scenes parts gets out of alignment or breaks, do you know what will happen to the sound of this harp? [Make buzzing sound on the harp]. A terrible buzzing sound is what you’ll hear.

All of these parts need to be working together in order for the harp to create the best sound possible. They are all a part of the harp, and they are all necessary. In fact, I have to take extra steps to ensure that the inner workings of the harp stay aligned and in place. I have to get a harp regulator to regulate all the gears and pins and action of the harp on a regular basis. I need to make sure that all the parts are working in harmony with each other. And we need to make sure our human community is in harmony.

“If one member suffers, all suffer together with it.”

Paul then says, “If one member suffers, all suffer together with it.” How can this be? How can the events in Charlottesville, Virginia, affect us here in Lexington, Kentucky? Well, when you have a group of white supremacists saying that whole groups of people need to be made subservient or even eliminated based on their skin color, religion, ethnicity, or culture, you know what happens?

[Here I actual use a clipper to cut string. Loud sound of string breaking. You can see this on the video at minute 10:43.]

That’s what happens – the string is cut, gone. And do you know what happens to all the other strings around this empty space? They all get out of tune. You see, each string exerts a certain amount of pressure on this soundboard. If a string is broken or missing, the pressure of the whole soundboard gets out of whack. [I start putting a new string on harp.] So we need to do everything we can to restore the string. Because if I just let that spot open, the tuning of the whole harp is affected. “If one member suffers, all suffer together with it.”

Who is missing?

Look around you – who haven’t you seen sitting here in the seat nearby you in a while? Have you called them? Or sent them a card? Have you told them you miss seeing them here? Sure this string can exist out here on its own. It’s no less a string than when it was on this harp. But it cannot make the same music in this world without being connected to the body. “Now you are the body of Christ and individually members of it,” Paul says.

Each one of you is important!

From the little baby cooing and gurgling in her father’s arms, to the Altar Guild members preparing the table, to the Confirmation students and teens texting each other on their cell phones, to members of the Finance Committee, to the greeter who handed you a bulletin this morning. All colors, all genders, all shapes, all sizes, all religions, all sexualities, all ages – they are all loved by God, and they are all needed on God’s instrument.

[Glissando from top to bottom and back up again] From the sopranos, to the altos, to the tenors, to the basses, and everyone in between. You are right where God wants you to be, and you serve a very important purpose in this instrument of the church. Never doubt that God created you, and created you to make a vital contribution to this world, even if it seems insignificant to you or to others around you. Never doubt that God wants you in this church, as a vital part of the Body of Christ.

Stand up, Body of Christ, Instrument of God, and let your strings vibrate with the love of God, so that the world may hear God’s beautiful, sweet music. Amen!

Leah D. Schade is the Assistant Professor of Preaching and Worship at Lexington Theological Seminary (Kentucky) and author of the book Creation-Crisis Preaching: Ecology, Theology, and the Pulpit (Chalice Press, 2015).

You can follow Leah on Twitter at @LeahSchade, and on Facebook at https://www.facebook.com/LeahDSchade/. Videos of Leah playing the harp can be found at https://www.facebook.com/leahschadeharpist/.

For more about preaching about Charlottesville, white supremacy, and racism:

9 Reasons Why You Need to Preach about Charlottesville

How to Preach When You Are Afraid

8 Ways to Preach about Charlottesville, White Supremacy, and Racial Justice

Psalm 137: The Beautifully Dangerous Psalm

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