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Causal Constructions and Food for Thought

Last updated on: March 27, 2026 at 4:09 pm   by Dan Peterson

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Causal Constructions and Food for Thought 2026-03-27T16:09:15-06:00 Dan Peterson

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

 

A new look, finally!

This is the logo of the Interpreter Foundation. Look for it on cars, cans of tuna fish, bars of soap, and imported Swiss chocolate. I’m not saying that you’ll find it, of course. I’m merely suggesting that you look for it. There’s no harm in looking, after all.

The Interpreter Foundation continues to give revolutionary new meaning to terms like moribund, stagnant, dead, comatose, and unchanging:

For instance, a new article went up today in the Interpreter Foundation’s regular peer-reviewed journal:  “A Comparative View of Causative Constructions in the Book of Mormon,” Interpreter: A Journal of Latter-day Saint Faith and Scholarship 68 (2026): 223-242, written by Stanford Carmack:

Abstract: One type of English frequently found in the Book of Mormon is the finite causative construction. For example, “they caused that he should be bound” (Alma 30:29). There are 136 finite instances after the verb cause*. Twenty-five pseudo-archaic texts do not have any finite causatives. The King James Bible has only three in more than 300 contexts. A subtype of the finite causative is the ditransitive causative. The King James Bible does not have any. The Book of Mormon has twelve. The most found in another text is four. This usage was obsolete around the year 1725. John Bunyan employed one ditransitive causative in about forty writings. Neither that nor his limited finite causative usage prompted pseudo-archaic imitation. In many ways, it is clear that there was no Bunyanesque influence on Book of Mormon English. The comparative evidence indicates that the Book of Mormon’s causative complex did not originate with Joseph Smith.*

At the Interpreter Foundation’s website, Dr. Carmack’s article was accompanied by Interpreting Interpreter: “Causal Constructions,” written by Kyler Rasmussen:

This post is a summary of the article “A Comparative View of Causative Constructions in the Book of Mormon” by Stanford Carmack in Volume 68 of Interpreter: A Journal of Latter-day Saint Faith and Scholarship. All of the Interpreting Interpreter articles may be seen at https://interpreterfoundation.org/category/summaries/. An introduction to the Interpreting Interpreter series is available at https:/interpreterfoundation.org/interpreting-interpreter-on-abstracting-thought/.

A video introduction to this Interpreter article is now available on all of our social media channels, including on YouTube at https://youtube.com/shorts/zJK36_FaPLs.

The Takeaway: Carmack examines how causal constructions (e.g., “they caused that. . . ”; “I will make that”) are used in the Book of Mormon, showing how they align with archaic usage, and fail to follow patterns from the nineteenth century, from the Bible, and from claimed archaic influences on Joseph Smith (i.e., John Bunyan).

Which was preceded yesterday by The Interpreter Insights Podcast — March 26, 2026: “Nephi Wanted to Be a Prophet Like Moses, Not a King Like David,” by Taylor Halverson, and Various Theories on the Deuteronomist School in LDS Letters, with Kevin Christensen:

 

In the 26 March 2026 episode of The Interpreter Insights Podcast, our host Terry Hutchinson and his guest Kevin Christensen discuss Taylor Halverson’s 2023 Interpreter article about Nephi emulating Moses and not David (https://interpreterfoundation.org/journal/nephi-wanted-to-be-a-prophet-like-moses-not-a-king-like-david) and the various theories on the Deuteronomist school in LDS letters.

And, to top it all off, a short trailer (thirty-six seconds, to be exact) is now up for Episode 10 of Becoming Brigham (“Gifts and Prophecies”).  And you can watch all of the prior installments in this Interpreter Foundation video series here, at Becoming Brigham, All Episodes.

Stay tuned for the next developments from the never-changing Interpreter Foundation!

concert hall at BYU

The main concert hall in Brigham Young University’s Music Building.  (BYU website)

My wife and I attended an unusually good concert last night at BYU’s Music Building.  It featured the Utah Symphony, with guest conductor David Danzmayr.  The program included

I noticed one commonality between three of the four composers (excepting Richard Strauss, who lived to a respectable eight-five years of age): Their lives were all relatively short: Erich Wolfgang Korngold lived to be just sixty. Ottorino Respighi died at fifty-six. Tchaikovsky reached only fifty-three.

These aren’t the shortest lives among major classical composers — Mozart and Mendelssohn, for instance, had much shorter lives and musical careers — but, to my mind, they vividly  illustrate once again the fact that many of our greatest artists, writers, and composers have died long before reaching their full potential, that many great works (presumably) remained for them to complete.  This is just one of many reasons for the hope of a continued life beyond death, though (of course) it isn’t proof that such a life actually exists.

"The Garden Tomb" (Phillip Benshmuel, 2008)

The Garden Tomb is one of the two most popular proposed locations for the burial and resurrection of Jesus. Photograph by Phillip Benshmuel (2008), Wikimedia Commons public domain image

It’s that time again.  It’s time to post one of my favorite poems, which is especially well-suited to this season of the year.  It’s the late poet and novelist John Updike’s “Seven Stanzas at Easter.”  Updike (1932-2009) was a two-time winner of the National Book Award and a two-time winner of the Pulitzer Prize for fiction.

In order to understand the poem — and especially its conclusion — completely, you need to know the noun remonstrance (re-MON-strance), which denotes “a forcefully reproachful protest”:

Make no mistake: if he rose at all
It was as His body;
If the cell’s dissolution did not reverse, the molecule reknit,
The amino acids rekindle,
The Church will fall.

It was not as the flowers,
Each soft spring recurrent;
It was not as His Spirit in the mouths and fuddled eyes of the
Eleven apostles;
It was as His flesh; ours.

The same hinged thumbs and toes
The same valved heart
That—pierced—died, withered, paused, and then regathered
Out of enduring Might
New strength to enclose.

Let us not mock God with metaphor,
Analogy, sidestepping, transcendence,
Making of the event a parable, a sign painted in the faded
Credulity of earlier ages:
Let us walk through the door.

The stone is rolled back, not papier-mache,
Not a stone in a story,
But the vast rock of materiality that in the slow grinding of
Time will eclipse for each of us
The wide light of day.

And if we have an angel at the tomb,
Make it a real angel,
Weighty with Max Planck’s quanta, vivid with hair, opaque in
The dawn light, robed in real linen
Spun on a definite loom.

Let us not seek to make it less monstrous,
For our own convenience, our own sense of beauty,
Lest, awakened in one unthinkable hour, we are embarrassed
By the miracle,
And crushed by remonstrance.

I’m hoping that, someday, some Latter-day Saint other than myself might quote this poem in an Easter-related sacrament meeting sermon.  I like it that much.

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