Patheos

BuddhistCatholicContemplativeEvangelicalGeneral ChristianHinduJewishLatter-day SaintMuslimNew VisionsProgressive Christian

Beliefs

Topics

Columnists

Resource Library

Research Tools

Video

Podcasts

Thought Readers

Faith In Media Tracker

Newsletters

Ad-Free & Subscriber Log-In Subscription Support

Patheos

Ad-Free & Subscriber Log-In Subscription Support

Follow Patheos Patheos on Facebook Patheos on YouTube

Christ and Pop Culture

The Moviegoer: Bernhardt “Bernie” Tiede, Angel of Death?

Last updated on: November 5, 2012 at 3:48 pm   by Nick Olson

The Moviegoer: Bernhardt “Bernie” Tiede, Angel of Death? 2012-11-05T15:48:45-07:00 Nick Olson

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

Each week in The Moviegoer, Nick Olson examines new and upcoming films.

The film (and the story it’s based on) has been around, but just in case: Spoiler Alert! Bernie is available via Redbox and Netflix steaming.

Widely considered unpleasantly cold by her town neighbors and even family members, Marjorie Nugent (Shirley MacLaine)–a recently widowed 81 year old millionaire–has been found dead, buried in her own freezer. But not only does her plight go unnoticed for nine months, Marjorie’s murder, when it is discovered, evokes almost no sorrow from the small-town locals who knew her. In fact, there’s even a sense of “she had it coming” floating around. So off-putting was her mean-spirited, demanding temperament, that Marjorie had alienated herself from both her family and neighbors to the point of having no friends, nor anyone who would become suspicious enough of her months-long absence to inquire with persistence as to her whereabouts. Ornery to the point of being labeled “a bitch” Marjorie may have been, but who is the dangerous person that would kill an 81 year old widow and stuff her in the freezer?

Bernhardt “Bernie” Tiede (Jack Black) is at the top of the list of people you’d count likely to go to Heaven. So says a local elderly woman–and likely beneficiary of Bernie’s many kindnesses–from Carthage, Texas. The pleasant, pudgy man in his late 30’s started as an assistant mortician who endeared himself to the community by always performing the simplest acts of benevolence as the opportunities were available to him. In themselves, these acts started out conventional enough–helping with tax returns, heading up the Christmas decorating committee, sewing curtains for folks who needed them–but these charitable acts, among countless others, added up to something of a local legend. This compassionate disposition perfectly suited Bernie as an eccentrically sympathetic mortician meeting the needs of widowed families. A Sunday school teacher, occasional pulpit-filler, and choir singer, this mustached tenor soloist could even supply spiritual comfort for the townsfolk in the midst of their grief. Bernie seemed to relish especially the attention of Carthage’s elderly widows–his most devoted admirers.

One day, Bernie was in charge of Rod Nugent’s funeral, and, shortly thereafter, an unlikely and unhealthy co-dependent relationship was born between a demanding, old woman and a servile, middle-aged man.

I watched Richard Linklater’s Bernie knowing that it was based on a true story, but only after seeing the film did I read the article on which the film is based: “Midnight in the Garden of East Texas.” Just how true the film is to what happened is, in a way, shocking. Yet, while we know many of the details, much about this outlandish southern tale remains mysterious because Linklater constructs the film, which blurs the line between documentary and drama, around the testimony of the locals. Though the question of whether or not we’re seeing actors or real Carthage locals is sometimes distracting, Linklater’s approach works pretty seamlessly and is effective in two particular ways.

First, he allows the people to tell the story without much directorial intervention in the narrative, making for a fascinating “true crime” drama qua dark comedy. Much of Bernie’s comedic element actually derives from the people filling in the details for this filmic oral history. Second, the locals themselves become a kind of essential character in the film as an implicit commentary on what kind of people might get so taken with a charismatic figure that his trial would need to be moved to a different location for fear that a confessed murderer may not be found guilty.

And this second point–the locals’ perception of Bernie–is why the film is, ironically, both mysterious and revealing. It’s mysterious because none of the locals who fill in the details for the story really seem to know Bernie in a way that might provide us with a comforting insight into what provoked him to murder Marjorie–an act that, based on their testimony and devotion, seems so uncharacteristic of him. Yet, their “distant” admiration of Bernie is also quite revealing, I think. There’s a sense in which Bernie’s acts of kindness  seem remote. Beware of the person who builds everyone up such that they love him without really knowing him. Indeed, more interesting than Bernie’s testimony that he shot Marjorie in a fit of alien rage after enduring months of her meanness is the locals’ testimony that Bernie more than anything “wanted to be liked,” and “had a knack for drama.”

Of course, one line of thought we get is that Bernie was a routine con man. Indeed, in the months leading up to and following his murdering Marjorie, he spent much of her fortune. But Bernie used quite a bit of that money to perform even more extravagantly generous deeds for the locals–buying a house for one couple, paying for college education for a young one, buying a truck for another, providing the addition at the church for the prayer room.

Perhaps Bernie was a con man in a different sense–the sense in which his motivations for doing nice things for people was ultimately motivated by a desire to feel important, appreciated, and accepted (perhaps even understandable for a gay man in the small-town Texas closet?). Maybe after Marjorie began spending time with him he couldn’t resist both the resources she showered on him, and his own desperate persistence in trying to win her approval, too. That is, maybe what Bernie swindled was the locals’ affection by earning it with the false confidence received upon exchange of manipulative gifts.  This is what makes the irony of who Bernie is and what was wrought in Carthage more scary than comedic: our motivations are so easily veiled–even to ourselves–that a Jekyll and Hyde moment can unexpectedly be an eruption of deathly evil.

In what is probably the most striking moment of the film for me in its darkly comedic irony, the Carthage police find Bernie to arrest him as he is delivering a motivational speech to a little league baseball team: “If you’ve worked hard and done the absolute best you can, it doesn’t matter what the scoreboard says, you are the winner in the game of life.” The kids look on, puzzled as he is escorted out of the restaurant. The thing is, it’s not a very good motivational speech, for you can do your absolute best in the absolute wrong way, surprising not just others, but maybe even yourself. That’s the Angel of Death at his deceiving best.

 

Asides

Film

the moviegoer

Previous Post



November 1, 2012

It's Not the Economy, Stupid: Why I Think a Civil Rights Issue Will Determine the Election

Next Post



November 2, 2012 Play in Process: Tokyo Jungle is the Ultimate Game About the Rapture


Browse Our Archives

Select a Category Asides Elsewhere Featured Film Games General Culture Headline Literature Music Of the Moment Podcast Politics RetroPost Sports Technology Television Uncategorized Viral

Select a Month February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007




TAKE THE

Religious Wisdom Quiz

True or False: 2 John is addressed to Gaius, the beloved friend.

Select your answer to see how you score.

FALSE TRUE

Related posts from Christ and Pop Culture

Evangelical

How The Lego Movie Helped Me Overcome Fantastical...

Christ and Pop Culture

Evangelical

The Kiddy Pool: Philip Seymour Hoffman and the...

Christ and Pop Culture

Evangelical

Ones and Zeros: A Reflection on Spike Jonze's...

Christ and Pop Culture

Evangelical

Ocean's 11, 1944: Sorting through the Jumble of...

Christ and Pop Culture

TRENDING AT PATHEOS Evangelical

How the author of the world's best hymn...

I've been working with John Newton for a while now. This makes...

Psalm 130 | Lectio Divina

Long before this Lectio Divina, Psalm 130 - the song - started...

What About the Trees? Another Living Parable

After I finished writing the last article about falling leaves as a...

Why Classical Education Is a Conversation, Not a...

Come and Read: Joy in Classical Education When I was a little...

Falling Leaves: A Living Parable on Letting Go

I’ve spent the vast majority of my life in the southeast corner...

What Happened at Cornell?

Cornell University has received a great deal of negative publicity and intense...

view all Evangelical blogs

Patheos on Facebook Patheos on YouTube

Ad-Free & Subscriber Log-In Subscription Support

Copyright 2008-2026, Patheos. All rights reserved.

Subscription Support Ad-Free & Subscriber Log-In

Follow Patheos Patheos on Facebook Patheos on YouTube