Patheos

BuddhistCatholicContemplativeEvangelicalGeneral ChristianHinduJewishLatter-day SaintMuslimNew VisionsProgressive Christian

Beliefs

Topics

Columnists

Resource Library

Research Tools

Video

Podcasts

Thought Readers

Faith In Media Tracker

Newsletters

Ad-Free & Subscriber Log-In Subscription Support

Patheos

Ad-Free & Subscriber Log-In Subscription Support

Follow Patheos Patheos on Facebook Patheos on YouTube

bibleandculture

Bella Italia Part Three (the inside of Orvieto Cathedral)

Last updated on: March 13, 2015 at 10:56 pm   by Ben Witherington

Bella Italia Part Three (the inside of Orvieto Cathedral) 2015-03-13T22:56:47-04:00 Ben Witherington

LOGO Patheos Explore the world's faith through different perspectives on religion and spirituality! Patheos has the views of the prevalent religions and spiritualities of the world.

Once you get inside the zebra cathedral, things change in some ways. First of all there is still the zebra look with the marble and the basalt alternating in the walls and columns.

But you also have beautiful stained glass windows, frescoes, and alcoves.


By far the most impressive part of the interior is the chapel of the apocalypse and its amazing frescoes, which in fact inspired Michaelangelo’s frescoes in the Sistine Chapel.. Here is some of the Wiki explanation….

Fra Angelico and Benozzo Gozzoli began the decoration of the vault of the chapel in 1447. They painted only two sections: Christ in Judgment and Angels and prophets as they were summoned in the same year to the Vatican by Pope Nicholas V to paint the Niccoline Chapel. Work came to a halt until Perugino was approached in 1489. However, he never began. After being abandoned for about 50 years, the decoration of the rest of the vault was awarded to Luca Signorelli on 5 April 1499. He added the scenes with the Choir of the Apostles, of the Doctors, of the Martyrs, Virgins and Patriarchs.

His work pleased the board and they assigned him to paint frescoes in the large lunettes of the walls of the chapel. Work began in 1500 and was completed in 1503. (There was a break in 1502 because funds were lacking.) These frescoes in the chapel are considered the most complex and impressive work by Signorelli. He and his school spent two years creating a series of frescoes concerning the Apocalypse and the Last Judgment, starting with the Preaching of the Antichrist, continuing with tumultuous episodes of the End of the World, finding a counterpart in the Resurrection of the Flesh. The fourth scene is a frightening depiction of the Damned taken to Hell and received by Demons. On the wall behind the altar, Signorelli depicts on the left side the Elect being led to Paradise and on the right side the Reprobates driven to Hell. He added to these expressive scenes some striking details.
The Damned are taken to Hell and received by Demons.

The Preaching of the Antichrist was painted shortly after the execution of Savonarola in Florence on 23 May 1498. This friar had been judged guilty of heresy, and the Antichrist, preaching slander and calumny, is causing an uproar such as Savonarola did. The Antichrist is depicted resembling Christ, but is embraced by the Devil whispering in his ear. Among the crowd listening to the Antichrist Signorelli has painted some remarkable figures: a young Raphael in a striking pose, Dante, possibly Christopher Columbus, Boccaccio, Petrarch and Cesare Borgia. Remarkably, in the left corner of the fresco, he has painted himself, dressed in noble garments, and Fra Angelico in habit. In the left background the Antichrist is being chased from heavens by the archangel Michael, and his acolytes being killed by a rain of fire. In the right background he depicts a large Classical temple topped by a dome in Renaissance style. More likely is that the scenes reflect scripture readings called for in the liturgies for the Feast of All Saints and the four Sundays of Advent.
The End of the World is painted over the arch of the entrance to the chapel. Signorelli paints frightening scenes as cities collapse in ruins and people flee under darkened skies. On the right side below he shows the Sibyl with her book of prophesies, and King David with raised hand predicting the end of the world. In the left corner below, people are scrambling and lying in diverse positions on the ground, producing an illusion as if falling out of the painting. This successful attempt in foreshortening was striking in its day.

The Elect in Paradise.

The Resurrection of the Flesh is a study by Signorelli, exploring the possibilities of the male and female nude, while trying to recreate a three-dimensional setting. Signorelli shows his mastery in depicting the many positions of the human body. The risen, brought back to life, are crawling in an extreme effort from under the earth and are received by two angels in the sky blowing on a trumpet.
The Damned are taken to Hell and received by Demons is in stark contrast to the previous one. Signorelli has gone to the extremes of his fantasy and evocative powers to portray his cataclysmic vision of the horrible fate, the agony and the despair of the damned. He uses the naked human body as his only expressive element, showing the isolated bodies entangling each other, merging in a convoluted mass. They are overpowered by demons in near-human form, depicted in colours of every shade of decomposing flesh. Above them, a flying demon transports a woman. This is probably a depiction of the Whore of the Apocalypse.
The Elect in Paradise shows the elect in ecstasy looking up to music-making angels. The few extant drawings, made in preparation for this fresco, are kept in the Uffizi in Florence. They show each figure in various positions, indicating that Signorelli must have used real models in the nude to portray his figures.

For me the most dramatic part is the scene of the dead skeletons rising from the earth and then taking on flesh, and then walking around at the resurrection. It is certainly clear that these Renaissance artists, unlike many moderns were not squeamish about depicting either hell or heaven or the resurrection or damnation.

Uncategorized

Previous Post



November 4, 2013

Bella Italia-- Part Two (The Trip to Orvieto)

Next Post



November 6, 2013 Bella Italia Part Four (More from Orvieto)


Browse Our Archives

Select a Category Uncategorized

Select a Month October 2026 September 2026 August 2026 July 2026 June 2026 May 2026 April 2026 March 2026 February 2026 January 2026 December 2025 November 2025 October 2025 September 2025 August 2025 July 2025 June 2025 May 2025 April 2025 March 2025 February 2025 January 2025 December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 June 2024 May 2024 April 2024 March 2024 February 2024 January 2024 December 2023 November 2023 October 2023 September 2023 August 2023 July 2023 June 2023 May 2023 April 2023 March 2023 February 2023 January 2023 December 2022 November 2022 October 2022 September 2022 August 2022 July 2022 June 2022 May 2022 April 2022 March 2022 February 2022 January 2022 December 2021 November 2021 October 2021 September 2021 August 2021 July 2021 June 2021 May 2021 April 2021 March 2021 February 2021 January 2021 December 2020 November 2020 October 2020 September 2020 August 2020 July 2020 June 2020 May 2020 April 2020 March 2020 February 2020 January 2020 December 2019 November 2019 October 2019 September 2019 August 2019 July 2019 June 2019 May 2019 April 2019 March 2019 February 2019 January 2019 December 2018 November 2018 October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 February 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011


Follow Us!

Follow Us on Facebook



TAKE THE

Religious Wisdom Quiz

What does "Tabitha" mean in Aramaic?

Select your answer to see how you score.

Servant Blessed one Gazelle Daughter of God

Books by This Author Books by Ben Witherington

See All Titles »

Related posts from The Bible and Culture

Family

Westminster Abbey-- Part Three

The Bible and Culture

Family

Westminister Abbey-- Part Two

The Bible and Culture

Family

Westminster Abbey-- Part One

The Bible and Culture

Family

Methodist Central Hall and Westminster Abbey

The Bible and Culture

TRENDING AT PATHEOS Evangelical

Indiana Must Run Towards Grace, Not the Gun

Indiana Must Run Towards Grace, Not the Gun Indiana came close to...

Radicals: The Minds We Shape Become the Society...

France is burning… What supposedly began as student protests over poor school...

Questions Concering a Liberation

These questions were connected to hopes for restored national sovereignty, just leadership,...

Grifters of the Lost Ark (again)

The "search for Noah's ark" is a scam. It's always a scam....

Tennessee: Don't Shoot Christa Pike or Anyone Else

Tennessee: Don't Shoot Christa Pike or Anyone Else Tennessee tried to kill...

One of My Weirder Days (Not Today)

  The newest episode of Becoming Brigham went up on Monday morning....

view all Evangelical blogs

Patheos on Facebook Patheos on YouTube

Ad-Free & Subscriber Log-In Subscription Support

Copyright 2008-2026, Patheos. All rights reserved.

Subscription Support Ad-Free & Subscriber Log-In

Follow Patheos Patheos on Facebook Patheos on YouTube