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Reviews
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Select a Month February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009
September 2009
September 04, 2009
Screen Door Jesus (Davis, 2003)
Part Short Cuts, part Lone Star, part Saved!, with a pinch of Flannery O'Connor thrown...
August 2009
August 23, 2009
Inglorious Basterds (Tarantino, 2009)
You should know the resulting film is one where the titular Basterds are not the...
August 09, 2009
In fact, there may be the tiniest hint of feminine fantasy in the film's stew...
July 2009
July 26, 2009
Forgiving Dr. Mengele (Hercules, 2006)
The act of reviewing carries with it a strain of judgment, and when reviewing a...
July 26, 2009
Waltz With Bashir (Folman, 2008)
Several times while watching Waltz With Bashir I thought about the notion that by the...
July 24, 2009
In an interview republished in the anthology Interviews With Film Directors, Jean Mitry cites John...
July 22, 2009
Battleship Potemkin (Eisenstein, 1925)
One problem, of course, with a great books (or great films) curriculum is that we...
July 18, 2009
The moment that caught my attention in Nicholas Ray's 1956 melodrama Bigger Than Life is...
July 16, 2009
Le petit soldat (Godard, 1963)
The main character in Le petit Soldat is tortured. At one point, in voice-over, he...
July 05, 2009
Anarchy at the Movies (Part I)
Perhaps the most unfortunate thing about Culture and Anarchy, Matthew Arnold's series of essays that...
June 2009
June 28, 2009
The Trial of Joan of Arc (Bresson, 1962)
John Donne once wrote, "I am a little world made cunningly," suggesting that the complexity...
June 28, 2009
In Notes on the Cinematographer, Bresson appears particularly anxious to remind himself (and us) that...
June 23, 2009
Charlie Chaplin: A King in New York
The nature of a celebrity interview is that it can be hit or miss. Surely...
June 06, 2009
Land of the Pharoahs (Hawks, 1955)
Struggle he unquestionably did. He reports both in the audio commentary and in his 1956...
June 03, 2009
The Tragedy of Hamlet (Brook, 2002)
Peter Brook has forgotten more about Shakespeare than I'll ever know, and Adrian Lester is...
May 2009
May 31, 2009
Bride & Prejudice (Chadha, 2004)
Where to start? Well, I finally understand those singing puppets in the Fandango commercials.
May 29, 2009
As such, there has always been something troubling to me about the increasing insistence of...
May 27, 2009
The Broadway Melody (1929 Best Picture Winner)
In a nutshell, a must see for cinophiles. Others might consider taking a pass.
May 24, 2009
Ingmar Bergman: (Smiles of a Summer Night, 1955)
My relationship with the films of Ingmar Bergman has been analogous to that with a...
May 19, 2009
You Can’t Take It With You (Capra, 1938)
The situation is timeless, but the setting is very much of the moment.
May 16, 2009
The Life of Emile Zola (Dieterle, 1937)
I will admit that the film has the sort of schmaltzy feel (aided by the...
May 16, 2009
I don't imagine kids running out of Abrams' movie and staring at the nighttime sky,...
May 08, 2009
Sean Bean and McGregor get tied together through the barbs. We are all interconnected. It’s...
May 05, 2009
Eyes Wide Shut (Kubrick, 1999)
I do not want to give the impression, however, that Eyes Wide Shut is only...
May 04, 2009
Love in the Afternoon (Rohmer, 1972)
The Criterion DVD had an interview with Neil Labute talking about how Rohmer influenced him,...
May 02, 2009
Julius Caesar (Houseman, 1954)
Question: What do the following actors have in common?: Jack Lemmon, Billy Crystal, Keanu Reeves,...
May 02, 2009
Lars and the Real Girl (Gillespie, 2007)
Lars and the Real Girl is a sweet film that gets a lot of emotional...
May 01, 2009
The Big Shot Caller (Rhein, 2009)
Everyone wants to to be able to lay claim to being the first to recognize...
April 2009
April 28, 2009
Sansho The Baliff (Mizoguchi, 1954)
One mark of a newbie cinephile is that you tend to think that all world...
April 26, 2009
What is surprising--and delightful--about the film is how clear-eyed the portrait of the family is...
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